yup
The thesis of "The Clay Marble" by Minfong Ho is that "magical" clay marbles gives Dara courage and independence. Eventually Dara comes to realize that courage and independence come from inside and that the marble was only a catalyst for their emergence.
Not necessary, capitals, however, would suggest the expression was louder than normal
No, the verb is not correct. The sentence should read:I sing in tongues.Examples:I sing...You sing...He, she, it sings... (third person, singular, present)We sing...You sing...They sing...
Jojoba (a shrub) but pronounced ho-ho-ba
The correct pronoun is I, the subjective pronoun.Can you sing as well as I?Can you sing as well as I can?Can you sing as well as I can sing?All of the above are correct. Even when the verb 'can' or 'can sing' is not used at the end, the subjective pronoun is used because the verb (verbs) is implied.
In 1975.
Minfong Ho has written several children's books, with a focus on stories inspired by her experiences in Southeast Asia and her own cultural heritage. Some of her notable works include "Sing to the Dawn," "The Clay Marble," and "Maples in the Mist."
Minfong Ho has written: 'Rice without rain'
she live in ithaca, new york
Minfong Ho wrote The Clay Marble.
Minfong Ho grew up in Thailand, specifically in a small village near the Mekong River. She is of Chinese descent and spent her early years in a multicultural environment, which significantly influenced her writing. Ho later moved to the United States for her education and to pursue her career as an author.
Sing to the Dawn was created in 1975.
Sing to the Dawn has 160 pages.
Picture Books Hush!: A Thai Lullaby Peek! A Thai Hide-and-Seek Maples in the Mist The Two Brothers Brother Rabbit
Dawn Upshaw did not sing at Princess Diana's funeral.
Sing to the Dawn - 2008 is rated/received certificates of: Singapore:PG
Minfong Ho is a significant voice in children's and young adult literature, particularly known for her exploration of themes such as cultural identity, resilience, and the immigrant experience. Her works often draw from her own experiences as a Laotian refugee, providing authentic perspectives on the challenges faced by displaced communities. Ho's storytelling not only raises awareness about Southeast Asian cultures but also fosters empathy and understanding among diverse readers. Through her engaging narratives, she encourages young audiences to appreciate their heritage and confront societal issues.