Chattel is something that belongs to you, or your property. Historically, chattel was often used to refer to slaves, although it now means any personal possessions.
CHAT-tel
Property that is not real (land) property.
Chattle
Chattel slavery is a type of slavery where the slave is considered the personal property of the master and has no rights or autonomy. In this system, slaves are treated as commodities that can be bought, sold, or traded at the owner's discretion.
Very low to entice borrowing so that when the currency printers contract the supply of THEIR fiat currency, everyone will get squeezed and they can pick up cheap labour, cheap property, cheap chattle etc. Then we start it all over again. It keeps them from getting bored.
Landowners in Chesapeake colonies began using chattel slavery primarily for economic reasons. Enslaved labor was seen as a more efficient and cost-effective way to produce labor-intensive crops like tobacco. Additionally, the racial hierarchy that developed in the colonies supported the idea of using enslaved Africans as a permanent underclass for labor.
During the Elizabethan era, Eve and women in general were traditionally viewed as weak, witless, and sinful for obeying Satan and eating the apple from the Tree of Knowledge. Full blame was cast upon Eve and consequentially, women suffered from this common perspective. Still apart from being responsible for children and the household, women also worked. Women of the upper classes enjoyed life and intrigued at court like the men. Women of the middle classes often helped in the business and took care of the household at the same time. Some were landladies or shopkeepers. Women in cities of the lower classes, would often provide labor for the guilds (as seamstresses, tanners, weavers etc) or be midwives or market-women or prostitutes. Women at farms worked at the land like the men, but were also responsible for spinning, weaving, making clothes, taking care of small animals, the house and children.
1. 'Cause it would be harder for them to steal/"mis-appropriate as much if people knew how much there was to begin with. It's none of your business, if you ask any more questions like this, we'll use the "pay try it" act to declare you a terrorist and render you off to the goolag, never to be seen again, here in the land of the free, and the home of the slave. All in the name of national security, of course... We're so free, we have more PERSONS in prison than any other country on earth... The cost ofa Harvard education wasted on every one. 2. Persons (We are people) PERSONS are chattle owned by the corporate govenment, and they don't deserve to know -just pay.It is not a coincidence our birth certificates are storedat the department ofcomerce. It's not like they had extra room in the basement or something.... It's like they own us, and everything wepossess. Your car - a certificate of title is a certificate there is a title somewhere. theonly thing you can be sure of is you ain't got it!Pink slip - get real - that's what womenwear under a dress! Same thing with your home - Warrenty deed - A warrenty there is a deed somewhere...theonly thing you can be sure of is you ain't got it! PERSONShave only civil rights - what Ceasor (sp) gives Ceasor can take anytime he wants, People have unailenable rights from God that came before government, that governments were instituted among men to protect, according to the founding documents of america, that are but a joke now... If you think you can handle the sad truth, it can be found here... It's not my work... this guy looked into all this and more. And he is good. http://www.geocities.com/tthor.geo/mywork.html
They were cheap labor, easy to control and industrialists were primarily immoral and greedy. The Children could also fit into spaces that many adults could not . Children made more income for the family . Some just work so they can afford food !!
I think that the words "too much freedom" really should not be put together in that order. I believe the real question is "Are parents skilled enough for todays youth?" That answer is, for the most part, a big collective NO. They do not modernize as necessary to support a shift in culture. Childhood freedom is the best part of living in the here and now. No more patriarchial (What dad say goes!) crap of the 50's. Children are now unhindered by parents who have major insecurity issues. Children are able to point out their parents mistake (Which I fell is a grand thing. For, if I'm screwing up I want one of my three children to let me know. I sure as hell would have wanted the same when I was growing up!) However, the freedom means parents need to get their buts in gear and either network with parents who know what their doing or read up on books (Not the ones that say "YOU ARE THE PARENT!". Those titles are destructive to otherwise constructive parenting. Freedom is a good thing for youth to have. They can make healthier choices (having learned the hard way will instill in them their lesson quicker than ludicrous rules and regulations).So, in short, I believe that the amount of freedom some kids have is far to less for a growing mind and spirit (not the religious kind of spirit). Just because they have not turned 18 does not mean they couldn't be fully autonomous if given the chance. That is a good skill to have. Give them the love you can give them, listen, be there, help (WHEN THEY ASK FOR IT) but you want them to be able to 'make it' without you. Just in case something would ever happen to you.Parenting!Having raised six children - and all of them now parents themselves and less then seventy miles away - I would disagree with the previous answer. The dilemma of the 1960's, really a revolt against too much parental control, resulted, like any other revolt, in overcompensation and allowing too much freedom. Like Aristotle proposed nearly 2500 years ago, we need to find the "Golden Mean." At time we need to exercise control and, at other times, we need to let go.So now, when do we control and when do we let go? Yes, of course, this is more difficult than to take the simpler, one course route. This is where your judgment as parent comes into play. And, that judgment has to do with the child and its maturity.I just answered a query as to whether a 10-13 year old child should be allowed to go to the shopping mall alone. Most likely not, but this depends on the child. How well can the child make a good decision? This is the ultimate question! As parents you must ask your child specific questions! Would you go with a stranger who wants to buy you an ice cream? Would you join your friends when they decide to go into a store and steal merchandise?Parenting is a full-time job. There are no easy answers. Each situation must be judged independently and be based on the maturity of the child and their ability to make good decisions. Some children mature earlier than others. But most want some direction.
Conchita Campbell has: Played Young April in "Cold Squad" in 1998. Played Lexy Morse in "Wilder Days" in 2003. Played Maia Skouris in "The 4400" in 2004. Played Maia Rutledge Skouris in "The 4400" in 2004. Played Alison Keats in "Pursued" in 2004. Played Maia Rutledge in "The 4400" in 2004. Played Basketball Girl in "Bob the Butler" in 2005. Played Freeda in "Zixx: Level Two" in 2005. Played Maggie Thompson in "Supernatural" in 2005. Played Rachel in "Scary Movie 4" in 2006. Played Kennedy in "Bates Motel" in 2013. Played Mandy Morris in "Sitting on the Edge of Marlene" in 2014.
Isobel Elsom has: Played The Girl in "A Prehistoric Love Story" in 1915. Played Lady Monkhurst in "Milestones" in 1916. Played Isobel Bunter in "Tinker, Tailor, Soldier, Sailor" in 1918. Played Mariel Roscoe in "The Way of an Eagle" in 1918. Played Milly Cooper in "The Man Who Won" in 1918. Played The Girl in "Onward Christian Soldiers" in 1918. Played The Wife in "God Bless Our Red, White and Blue" in 1918. Played Jenny Northcote in "Hope" in 1919. Played Posy Quinney in "Quinneys" in 1919. Played Sophie Blossom in "The Elder Miss Blossom" in 1919. Played Nina Vernon in "Linked by Fate" in 1919. Played Nance Gray in "Nance" in 1920. Played Ruth in "Aunt Rachel" in 1920. Played Hope Carteret in "A Debt of Honour" in 1922. Played Alice Fletcher in "The Game of Life" in 1922. Played Enid Thompson in "Mrs. Thompson" in 1923. Played Mary Morstan in "The Sign of Four" in 1923. Played Olalla Quintane in "The Wandering Jew" in 1923. Played Dora Nelson in "The Harbour Lights" in 1923. Played Aliette Brunton in "The Love Story of Aliette Brunton" in 1924. Played Letitia Brand in "The Last Witness" in 1925. Performed in "The Tower of London" in 1926. Performed in "Glamis Castle" in 1926. Played Selma Bundy in "Dance Magic" in 1927. Played Roxanne Paget in "The Other Woman" in 1931. Played Beatrice in "Stranglehold" in 1931. Played Miriam Sinclair in "The Crooked Lady" in 1932. Played Mrs. Evelyn Dean in "Illegal" in 1932. Played Lady Sylvia Meeton in "The Thirteenth Candle" in 1933. Played Brenda Dorland in "The Primrose Path" in 1934. Played Judith Bliss in "Hay Fever" in 1939. Played Leonora Fiske in "Ladies in Retirement" in 1941. Played Mrs. Laura Winters in "The War Against Mrs. Hadley" in 1942. Played Dame Elizabeth Whitby in "Eagle Squadron" in 1942. Played Mrs. Westerly in "Laugh Your Blues Away" in 1942. Played Miss Abagail Robbins in "Seven Sweethearts" in 1942. Played Mrs. Maria Castro in "You Were Never Lovelier" in 1942. Played Rose Lindstrom in "First Comes Courage" in 1943. Played Lucille Scott in "My Kingdom for a Cook" in 1943. Played Lady Trimble-Pomfret in "Forever and a Day" in 1943. Played Mrs. Ferris in "Casanova Brown" in 1944. Played Genevieve Cliveden-Banks in "Between Two Worlds" in 1944. Played Mrs. Bancroft in "The White Cliffs of Dover" in 1944. Played Marian Tygarth in "The Unseen" in 1945. Played Aunt Jennifer in "Two Sisters from Boston" in 1946. Played Innkeeper in "The Paradine Case" in 1947. Played Marie Grosnay in "Monsieur Verdoux" in 1947. Played Angelica - Mother-in-law in "The Ghost and Mrs. Muir" in 1947. Performed in "Kraft Television Theatre" in 1947. Played Auntie Loo-Loo in "Love from a Stranger" in 1947. Played Mrs. Latham in "The Two Mrs. Carrolls" in 1947. Played Mrs. MacLean in "Escape Me Never" in 1947. Played Miss Chattle in "Ivy" in 1947. Performed in "The Chevrolet Tele-Theatre" in 1948. Played Mrs. Rogers in "Smart Woman" in 1948. Played Governess in "The Secret Garden" in 1949. Played Mme. Constancia in "Suspense" in 1949. Played Mrs. Cattermole in "Suspense" in 1949. Played Mrs. Forbes in "Lux Video Theatre" in 1950. Played Mrs. Brinker in "Lux Video Theatre" in 1950. Played Mrs. Fishkettle in "Lux Video Theatre" in 1950. Played Leonora Fiske in "Lux Video Theatre" in 1950. Played Watkins in "Lux Video Theatre" in 1950. Played Mrs. Micawber in "Robert Montgomery Presents" in 1950. Performed in "Masterpiece Playhouse" in 1950. Played Mrs. Scofield in "Lux Video Theatre" in 1950. Played Alice in "Lux Video Theatre" in 1950. Played Herself - Actress in "The Colgate Comedy Hour" in 1950. Played Miss Shoebridge in "Lux Video Theatre" in 1950. Played Lady Crawford in "The George Burns and Gracie Allen Show" in 1950. Performed in "Armstrong Circle Theatre" in 1950. Played Ethel in "Lux Video Theatre" in 1950. Played Mrs. West in "Lux Video Theatre" in 1950. Performed in "Robert Montgomery Presents" in 1950. Played Mrs. Kennedy in "Schlitz Playhouse of Stars" in 1951. Performed in "Schlitz Playhouse of Stars" in 1951. Played Nurse Davis in "Doctor Serocold" in 1952. Played Mrs. Nightingale in "Florence Nightingale" in 1952. Played Mrs. Vanderbuhr in "The Ford Television Theatre" in 1952. Played Anne in "The Doctor" in 1952. Performed in "21-Plus" in 1952. Played Miss Minner in "General Electric Theater" in 1953. Performed in "Kraft Television Theatre" in 1953. Played Aunt Lou in "Letter to Loretta" in 1953. Played Mrs. Jennings in "Medic" in 1954. Played Mrs. Elliott in "Front Row Center" in 1955. Played Mrs. Cliveden-Banks in "Front Row Center" in 1955. Played Mrs. Buckley in "The Millionaire" in 1955. Performed in "Front Row Center" in 1955. Played Adeline Palmer-Jones in "Love Is a Many-Splendored Thing" in 1955. Performed in "Matinee Theatre" in 1955. Played Mrs. Fairfax in "Matinee Theatre" in 1955. Played Hermione Carpenter in "Alfred Hitchcock Presents" in 1955. Played Minnie Findlater in "Alfred Hitchcock Presents" in 1955. Played Wilma Puttnam in "Mike Hammer" in 1956. Played Lady Syrett in "23 Paces to Baker Street" in 1956. Played Mrs. Tarleton in "Playhouse 90" in 1956. Played Mrs. Payton Grange in "Over-Exposed" in 1956. Played Mrs. Skowran in "Rendezvous" in 1957. Played Lady Augusta Fromondelay in "Bachelor Father" in 1957. Played Madeline Montclair in "Tales of Wells Fargo" in 1957. Played Mrs. Charlotte Ogden in "The Guns of Fort Petticoat" in 1957. Played Mrs. Van Cleeve in "Rock-a-Bye Baby" in 1958. Played Cora Shelby in "Lux Playhouse" in 1958. Played Madame Cecile in "The David Niven Show" in 1959. Played Eunice Chalfrey in "Hawaiian Eye" in 1959. Played Maude St. John in "Bourbon Street Beat" in 1959. Played Mrs. Dewitt Lawrence in "The Young Philadelphians" in 1959. Played Mother Superior in "The Miracle" in 1959. Played Serena Delastone in "Bourbon Street Beat" in 1959. Played Mrs. Montgomery in "Alcoa Presents: One Step Beyond" in 1959. Played Julia in "The Third Man" in 1959. Played Mrs. Vanalden in "Hawaiian Eye" in 1959. Played Hotel Guest in "The Bellboy" in 1960. Played Lydia Lumbard in "Checkmate" in 1960. Played Mrs. Purdy in "Thriller" in 1960. Played Mrs. Rogers in "The Second Time Around" in 1961. Played Mrs. Courtney in "Straightaway" in 1961. Played Andrea Edgerton in "87th Precinct" in 1961. Played Mrs. Silber in "Dr. Kildare" in 1961. Played Irma Paramutual in "The Errand Boy" in 1961. Played Elizabeth Blakeley in "The Gertrude Berg Show" in 1961. Played Mrs. Runciford in "Follow the Sun" in 1961. Played Mrs. Walker in "Dr. Kildare" in 1961. Played Reverend Mother in "The Alfred Hitchcock Hour" in 1962. Played Sister Marie Therese in "The Alfred Hitchcock Hour" in 1962. Played Selena Ruysdael in "The Plot Thickens" in 1963. Played Mrs. Eynsford-Hill in "My Fair Lady" in 1964. Played Dona Teresa Lacayo in "The Pleasure Seekers" in 1964. Performed in "Dream On" in 1990.