Words that have the VCCCV (Vowel-Consonant- Consonant-Consonant-Vowel) pattern are divided into syllables between the first and second consonants, as in the wordap/proach. The sounds of the second and third consonants are blended together.
...Iamb (Iambic)Unstressed + Stressed.........Two Syllables...Trochee (Trochaic)Stressed + Unstressed.........Two Syllables...Spondee (Spondaic)Stressed + Stressed.........Two Syllables...Anapest (Anapestic)Unstressed + Unstressed + Stressed.........Three Syllables...Dactyl (DactylicStressed + Unstressed + Unstressed.........Three Syllables
It's more usual to indicate stressed and unstressed syllables. There are three unstressed syllables in apparatus, comprising six letters.
The first syllable is stressed. The second is unstressed.
A trochee is a word containing two syllables, the first stressed and the second unstressed (such as FORest). "Beautiful" has three syllables in the stressed-unstressed-unstressed pattern (BEAUtiful), which makes it a dactyl.
iambic pentameter
butcher
The first and third syllables are unstressed.
...Iamb (Iambic)Unstressed + Stressed.........Two Syllables...Trochee (Trochaic)Stressed + Unstressed.........Two Syllables...Spondee (Spondaic)Stressed + Stressed.........Two Syllables...Anapest (Anapestic)Unstressed + Unstressed + Stressed.........Three Syllables...Dactyl (DactylicStressed + Unstressed + Unstressed.........Three Syllables
The word together has three syllables. Two of the syllables are unstressed. The syllables in the word are to-ge'-ther.
unstressed syallablesi dont know
'for'
It's more usual to indicate stressed and unstressed syllables. There are three unstressed syllables in apparatus, comprising six letters.
In "where the sidewalk ends," the stressed syllables are "where," "side," and "ends," while the unstressed syllables are "the," "the," and "walk."
First, second and fourth syllables are unstressed.
The first syllable is stressed. The second is unstressed.
Second syllable unstressed
In English poetry and literature, stressed syllables are those that receive more emphasis in pronunciation, while unstressed syllables are pronounced with less emphasis. The pattern of stressed and unstressed syllables is crucial in creating rhythm and meter in poetry. Various poetic forms, such as iambic pentameter or trochaic tetrameter, rely on specific arrangements of stressed and unstressed syllables to establish a particular poetic structure.