The servant of a merchant is the protagonist.
The deuteragonist is the second main character in a story, behind the protagonist. The deuteragonist can be with or opposed to the protagonist or have his/her own parallel story to the protagonist.
Yes, the ghost is the protagonist of the story.
The protagonist of the story The Pedestrian by Ray Bradbury is Leonard Mead
its like the bad guy in the story. the protagonist is the good guy
no, usually the protaganist is the bad guy. Yes the protagonist usually is the main character - but he/she/it doesn't have to be. The rules of writing are kept loose enough to allow for infinite variety.
The setting in "Appointment in Samarra" serves as a metaphor for the inevitability of fate and death. By placing the story in a city where the protagonist cannot escape his predestined end, the author underscores the theme that our actions cannot alter the course of events beyond a certain point. Samarra acts as a powerful symbol of the protagonist's inability to avoid his fate.
Appointment in Samarra was created in 1934.
The conflict in "The Appointment in Samarra" is primarily an internal conflict within the protagonist, the servant, as he tries to evade death, only to realize that death is inescapable. It also involves a sense of inevitability and fate as he tries to outrun his predetermined meeting with death.
In "The Appointment in Samarra," the climax occurs when the servant, attempting to outrun Death, discovers Death waiting for him in Samarra. This moment reveals the futility of trying to escape fate and highlights the inevitability of death.
Baghdad
Supernatural - 2005 Appointment in Samarra 6-11 is rated/received certificates of: USA:TV-14
Robert Montgomery Presents - 1950 Appointment in Samarra 4-37 was released on: USA: 11 May 1953
In "Appointment in Samarra," death is portrayed as a woman to emphasize the inevitability and impartiality of death. By depicting death as a female figure, the author is able to add a sense of mystery and unpredictability to the concept of mortality. Additionally, the choice to personify death as a woman may also symbolize the nurturing and transformative aspects often associated with the feminine in many cultures.
A story has to have a protagonist.
The protagonist is the hero of the story, the person the story is about. His opponent is the "antagonist", the villain of the story.
The narrator... Bonaparte is the protagonist of the story
the protagonist in the story crime on mars is