Nana criticizes the narrator’s legs, she thinks that the narrator’s legs are too thin and long for women. “If any woman decides to come into the world with her two legs, then she should select legs that have meat on them: with good calves. Because you are sure such legs would support solid hips. And a woman must have solid hips to be able to have children.”
nana
The adverb form for the verb to criticize is criticizingly.
Yes "nana" is the correct spelling.
By using multiple narrators
The abstract nouns for the verb to criticize are criticizer, criticism, and the gerund, criticizing.
In "The Girl Who Can," Nana criticizes the narrator's legs because she associates them with a lack of traditional feminine beauty and societal expectations. Nana's comments reflect her values and the cultural emphasis on appearance, particularly regarding women's bodies. This criticism highlights the generational and cultural differences between Nana and the narrator, emphasizing the narrator's struggle for self-acceptance and the desire to break free from rigid societal norms. Ultimately, it underscores the themes of identity and the pressures of conforming to expectations.
Nana wanted to bring Lucy back with her, but Lucy refused as for Nana she kept on fussing about bringing her back to her so called "Papa". Lucy then starts to get annoyed and hits Nana with her Vectors. Nana then shows Lucy what she can do and punches her into a grave yard. The fight conintues until Nana uses one of her Vectors to rip off one of her limbs but Mayu gets in the way. Which means Lucy has got the chance to attack her (Which she does) and slcies her finger bother her arms and legs and is left there until Kurama comes along.
The criticism from the girl who can highlights Nana's fears for the narrator's future by exposing the societal pressures and expectations that the narrator faces. Nana worries that the limitations imposed by their environment may hinder the narrator's potential and aspirations. This confrontation emphasizes Nana's desire for the narrator to break free from these constraints and pursue a life filled with opportunities and self-actualization. Ultimately, it reflects Nana's deep-seated anxiety about the narrator's ability to navigate a world that often stifles individuality and ambition.
Welcome everybody to the happy, happy sound The sound to put a smile on your nana's face So to all the nanas staring out the window around the world We sing for you Nana nana window Nana window Na-na-na-na-na-nana window Nana nana window Nana window Na-na-na-na-na-nana window Nana nana window Nana window Na-na-na-na-na-nana-nana There's a lady in the window, looking out the window Looking to the nana, the nana nana window All she does is wave everyday Waving at the people passing by her way Nana nana window Nana window Look nana! The nana nana window! Looking old with her bingo wings The chorus is back so everybody sings! Nana nana window Nana window Na-na-na-na-na-nana window Nana nana window Nana window Na-na-na-na-na-nana window Nana nana window Nana window Na-na-na-na-na-nana window Nana nana window Nana window Na-na-na-na-na-nana-nana She's a very nice lady Very small lady Sitting in her chair Watching Paul O'Grady Eighty-three and fit as a fiddle Does a big shop every week in Lidl Nana nana window, nana window Look at the nana sitting in her window [ From: http://www.metrolyrics.com/nana-window-lyrics-chris-moyles.html ] Wave at the nana! She'll wave back And that is why we sing this track... Nana nana window Nana window Na-na-na-na-na-nana window Nana nana window Nana window Na-na-na-na-na-nana window Nana nana window Nana window Na-na-na-na-na-nana window Nana nana window Nana window Na-na-na-na-na-nana-nana Stays at home makes fairy cakes Goes on a coach trip to the lakes Got a blue badge, parks where she likes But doesn't really drive, only used it twice Still buys cat food at the store Even though he died back in ninety-four Heating on full, but she's always cold Nana windo-ow! Oh-oooh-oooooh Nana nana window Nana window Na-na-na-na-na-nana window Nana nana window Nana window Na-na-na-na-na-nana window Nana nana window Nana window Na-na-na-na-na-nana window Nana nana window Nana window Na-na-na-na-na-nana-nana Nana, nana window Nana, nana window Nana, nana window Nana, nana window...
"kuia" = "nana" or "nana" = "nana"
There are two narrators in My Antonia.
Nana = Oma Nana = Omi
I think its Charmless Man - Blur
Farewell = nana
Nana Eikura goes by Nanachan, and Nana.
Nana
nana