How does Steinbeck show the simple lifestyles led in the story chrysanthemums?

Answer 1

The isolated location of the ranch contributes to Elisa's feelings of loneliness and boredom.

Answer 2

with a description of the setting

Answer 3

with a description of the setting

Answer 4

Clothing

Elisa's clothing changes as her muted, masculine persona becomes more feminine after the visit from the tinker. When the story begins, Elisa is wearing an androgynous gardening outfit, complete with heavy shoes, thick gloves, a man's hat, and an apron filled with sharp, phallic implements. The narrator even describes her body as "blocked and heavy." The masculinity of Elisa's clothing and shape reflects her asexual existence. After speaking with the tinker, however, Elisa begins to feel intellectually and physically stimulated, a change that is reflected in the removal of her gloves. She also removes her hat, showing her lovely hair. When the tinker leaves, Elisa undergoes an almost ritualistic transformation. She strips, bathes herself, examines her naked body in the mirror, and then dresses. She chooses to don fancy undergarments, a pretty dress, and makeup. These feminine items contrast sharply with her bulky gardening clothes and reflect the newly energized and sexualized Elisa. At the end of the story, after Elisa has seen the castoff shoots, she pulls up her coat collar to hide her tears, a gesture that suggests a move backward into the repressed state in which she has lived most, if not all, of her adult life.

Chrysanthemums

The chrysanthemums symbolize both Elisa and the limited scope of her life. Like Elisa, the chrysanthemums are lovely, strong, and thriving. Their flowerbed, like Elisa's house, is tidy and scrupulously ordered. Elisa explicitly identifies herself with the flowers, even saying that she becomes one with the plants when she tends to them. When the tinker notices the chrysanthemums, Elisa visibly brightens, just as if he had noticed her instead. She offers the chrysanthemums to him at the same time she offers herself, both of which he ignores and tosses aside. His rejection of the flowers also mimics the way society has rejected women as nothing more than mothers and housekeepers. Just like her, the flowers are unobjectionable and also unimportant: both are merely decorative and add little value to the world.

The Salinas Valley

The Salinas Valley symbolizes Elisa's emotional life. The story opens with a lengthy description of the valley, which Steinbeck likens to a pot topped with a lid made of fog. The metaphor of the valley as a "closed pot" suggests that Elisa is trapped inside an airless world and that her existence has reached a boiling point. We also learn that although there is sunshine nearby, no light penetrates the valley. Sunshine is often associated with happiness, and the implication is that while people near her are happy, Elisa is not. It is December, and the prevailing atmosphere in the valley is chilly and watchful but not yet devoid of hope. This description of the weather and the general spirits of the inhabitants of the valley applies equally well to Elisa, who is like a fallow field: quiet but not beaten down or unable to grow. What first seems to be a lyrical description of a valley in California is revealed to be a rich symbol of Elisa's claustrophobic, unhappy, yet hopeful inner life.

Answer 5

The story opens with a panoramic view of the Salinas Valley in winter, shrouded in fog. The focus narrows and finally settles on Elisa Allen, cutting down the spent stalks of chrysanthemums in the garden on her husband's ranch. Elisa is thirty-five, lean and strong, and she approaches her gardening with great energy. Her husband Henry comes from across the yard, where he has been arranging the sale of thirty steer, and offers to take Elisa to town for dinner and movie to celebrate the sale. He praises her skill with flowers, and she congratulates him on doing well in the negotiations for the steer. They seem a well-matched couple, though their way of talking together is formal and serious. Henry heads off to finish some chores, and Elisa decides to finish her transplanting before they get ready to leave for town.

Soon Elisa hears "a squeak of wheels and a plod of hoofs," and a man drives up in an old wagon. (He is never named; the narrator calls him simply "the man.") The man is large and dirty, and clearly used to being alone. He earns a meager living fixing pots and sharpening scissors and knives, traveling from San Diego, California, to Seattle, Washington, and back every year. The man chats and jokes with Elisa, who answers his bantering tone but has no work for him to do. When he presses for a small job, she becomes annoyed and tries to send him away.

Suddenly the man's attention is caught by the chrysanthemum stalks and seedlings. When he asks about them, Elisa's annoyance vanishes, and she becomes friendly again. The man remembers seeing chrysanthemums before, and describes them: "Kind of a long-stemmed flower? Looks like a quick puff of colored smoke?" Elisa is delighted with his description. The man tells her about one of his regular customers who also gardens, and who always has work for him when he comes by. She has asked him to keep his eyes open in his travels, and to bring her some chrysanthemum seeds if he ever finds some. Now Elisa is captivated. She invites the man into the yard, prepares a pot of chrysanthemum cuttings for the woman's garden, and gives him full instructions for tending them. Clearly, Elisa envies the man's life on the road and is attracted to him because he understands her love of flowers. In a moment of extreme emotion she nearly reaches for him, but snatches her hand back before she touches him. Instead, she finds him two pots to mend, and he drives away with fifty cents and the cuttings, promising to take care of the plants until he can deliver them to the other woman.

Elisa goes into the house to get dressed for dinner. She scrubs herself vigorously and examines her naked body in the mirror before putting on her dress and makeup. When Henry finds her, he compliments her, telling her she looks "different, strong and happy." "I'm strong," she boasts. "I never knew before how strong." As Henry and Elisa drive into town, she sees a dark speck ahead on the road. It turns out to be the cuttings the man has tossed out of his wagon. She does not mention them to Henry, who has not seen them, and she turns her head so he cannot see her crying.

Answer 6

Steinbeck shows the simple lifestyles led in "The Chrysanthemums" through detailed descriptions of the rural setting, the characters' daily routines, and their interactions with each other. The protagonist, Elisa, embodies a sense of confinement in her domestic life, which is reflected in her passion for gardening and the limited opportunities she has for self-expression. Through these elements, Steinbeck conveys the theme of longing for a more fulfilling existence within the constraints of a simple, agricultural lifestyle.

Answer 7

Elisa grows all of their fruits and vegetables while Henry raises their meat and poultry.

Answer 8

The isolated location of the ranch contributes to Elisa's feelings of loneliness and boredom.