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What has the author Wolfgang-Hans Riekenberg written?

Wolfgang-Hans Riekenberg has written: 'James Joyces \\'


Whats the name of the song Emily joyces character Janice plays in true romance cracker tv series 3?

I close my eyes and count to ten


How far apart are ceiling joyces?

Ceiling joists are typically spaced 16 inches or 24 inches apart, although spacing can vary. Verify with local building codes for specific requirements.


Which of these is a question that might be raised in reguard to the decision to include James Joyces finnegans wake or other experimental works in the canon?

"Should a difficult work that relatively few people read be included in the canon?" is a question that might be raised in regard to the decision to include James Joyce's Finnegans Wake or other experimental works in the canon.


How can you reenforce damaged floor joyces in a house?

How they are damaged has some bearing on the repair, but usuall just add another one beside it. This can be just a short bridge or an entire new one. Depends on the need. The new one can be nailed, screwed or bolted to the old one depending on what it is supposed to do. If it is a matter of them sagging, a support may be needed at the proper point.


Which subatomic particle comes from a line of James Joyces's book finnegans wake?

The subatomic particle named "Quark" is believed to be inspired by the sentence "Three quarks for Muster Mark" from James Joyce's book "Finnegans Wake." This sentence is thought to be the origin of the term "quark," which is a fundamental particle that makes up protons and neutrons in the atomic nucleus.


Did john ritter and Joyce dewitt date?

Yes, John not only dated Joyce dewitt but they were actually engaged during season 4-5. Joyce became pregnant during season 5 but had an abortion when John Ritter was sleeping with Priscilla Barnes. John Ritter was caught having sex with Jenilee Harrison in Joyces trailer. Tragic ending.


What has the author Klaus Reichert written?

Klaus Reichert has written: 'Edition Suhrkamp, Band 2371: Welt-Alltag der Epoche: Essays zum Werk von James Joyce' -- subject(s): OUR Brockhaus selection, Englische Literatur, altenglische Literatur 'Vielfacher Schriftsinn' 'Materialien zu James Joyces \\' 'Englische und amerikanische Dichtung, 4 Bde., Bd.3, Von R. Browning bis Heaney'


What were James Joyces political views of the state ireland was in 1900?

James Joyce's political views in 1900 were complex and often critical of the state of Ireland. He was disillusioned by the lack of cultural and political independence under British rule and criticized the social conservatism and nationalism prevalent in Irish society. Joyce believed in the importance of individual freedom and artistic expression, often feeling that the political climate stifled these ideals. His work reflects a desire for a more liberated and modern Ireland, free from the constraints of colonialism and dogmatic nationalism.


Which literary device is used in this sentence from James Joyces Araby?

Araby has many themes. You could find your own theme in the story as long as you can back that sh*t up, but here are examples of what I found. Innocence is one, you'll know why if you've read the story, Becoming of Age is one...also too long to explain here. Visualization gone bad is one cause the narrator visualizes that he would buy mangan's sister something from the bazaar(already visualizing that he'd make it on time) and everything would turn out as he planned but as you've read that bites him in the as$. and many more.


What are the conflicts in James Joyces araby?

When, after listening to the young women and the other boys flirting at the bazaar, the narrator realizes that women, especially his idealized Enamorata, are more chased than chaste.


What are the symbols in James Joyces Clay?

The Blindfolded Narrative in James Joyce's ClayPierre Macherey in his A Theory of Literary Production (1966) introduces an idea that literary form is capable of transforming ideology into fiction and thereby of showing us its internal incoherences and contradictions. In fact, the writer [here James Joyce], by producing an ideology in the form of a fiction, makes us feel the gaps, silences and absences which in their purely ideological form are less apparent (Selden 155).Likewise, Clay describes a deceptively simple story whose narrative self-deception attempts, and fails, to mislead the reader. The blind protagonist Maria simply fails to blind even the less attentive reader of the blind spots in her story. Having been portrayed as a product of the Irish Ideology, the "old maid" Maria appears as a figure who "seems to lack everything and therefore embodies total desire, a desire for the recognition and prestige that would let a poor old woman without family, wealth, or social standing maintain her human status in paralytic Dublin…" (Norris 206). It seems that Maria, endowed with an ideological awareness, unconsciously tries to fulfill a Lacanian lack-if not the social and personal shortcomings- of her own life. The story seemingly unfolds by means of the contrasts between the narrator's view of Maria and her own emotionally limited self-awareness.Maria's job in the kitchen of a laundry established for the reform of prostitutes obviously does not secure her a proper social standing, yet her self-esteem as an important figure seems to stem from an ideological consciousness that has obscured her vision of reality. Maria has been "hailed" (interpellated) in the place of an important person in the society while in reality she is nothing more than a common dishwasher.In fact, it is Maria's social standing, affected largely by the Ideological State Apparatuses (attending the ritual ceremony, for example), that determines her consciousness. Her isolated consciousness thus feeds upon the ideological self-awareness she has been entrapped in.HalloweenHalloween (October 31) is "the Celtic New Year's Eve and Feast of the Dead, Christianized as the Feasts of the Blessed Virgin and All Saints (November 1) and All Souls (November 2). In Irish folk custom, it is a night of remembrance of dead ancestors and anticipation of the future through various fortune-telling games." Halloween as a ritual ceremony serves two important purposes in the story. Firstly, it is one of those Ideological State Apparatuses that almost controls Maria's life. Secondly, it emphasizes the notion of past and ancient values that are embodied in Joyce's stories. In fact, Maria as an allegorical representation of Mother Ireland is paralyzed by circumstances beyond her control or awareness. She can be taken as a version of the ancient symbolic representation of Mother Ireland dominated by imperial England.The Charmed Lives of the Other(s)Gordimer's Charmed Lives seemingly probes the static and equally pathetic condition of "two harmless and handicapped people" whose mechanical and unchanging lives in the story mirror the very dull lives of the native inhabitants of the South Africa. These two harmless people were brought out to the country, as two imported ideological models, before Kate Shand was born. The little Kate grows up as her mother subconsciously injects a potion of a false ideology into Kate's fragmented character, so that the watchmaker's and the doctor's faces become "bracketed for ever" in Kate's own face. The watchmaker Simon Datnow, as introduced earlier in the story, becomes an Other into which Kate looks up and builds her identity. In this respect, the glass cage, where the watchmaker works seemingly for no end, may also embody the Mirror Stage (also called looking-glass stage) where Kate's own image mirrored as a whole and complete being (as that of the Watchmaker) is but an ideal. The little Kate used to "stand for a long time with her face close to the glass cage [of the watchmaker]" who has been constructed as an ideal by Mrs. Shand. Upon trying "to get her husband to stand up to her" in vain, Mrs. Shand continuously champions the watchmaker against his timid husband's will to seemingly fulfill her marital lack: "Datnow, she gave her children to understand, was a natural gentleman, a kind of freak incidence among the immigrant relations." She subconsciously deludes her children to turn to the idealized watchmaker who is now and then symbolized almost as a Father figure for Kate.The narrative structure, again like that of Clay, develops by the means of contrasts between what the mother (Mrs. Shand) strongly idealizes for Kate and what she herself comes to experience in the characters of the watchmaker and the doctor. This almost brings about a kind of disillusionment on the part of Kate who finally leaves the town where she finds the mechanical, charmed lives of the other(s) hardly accommodating of her expectation. The grown-up Kate finds no glamor in the empty lives of the watchmaker and the doctor, whom her mother still regards with high respect. Likewise, Kate becomes disgusted with the way the two men live; they are blind to their own state of affairs abused by an unknown power. The notion of survival is thus drawn as its most pitiful sense in the story. The watchmaker and the doctor both simply want to survive, regardless of what is happening around them. The whole story seems to be an allegory of an ideologically plagued town whose members including both the native Africans and the immigrants are paralyzed with an unknown power. They are constantly hailed in the roles they play blindly. Yet Kate never tells the reason for her leaving the town, the reason that "had taken shape for her, slowly, out of all her childhood, in the persons of those two men whom she had known…"Quotes from the story can be found at the link below.