The writer of the adaptation chose to focus on developing the main character's internal struggles and emotions to create a more personal connection with the audience. This choice allowed for a deeper exploration of the character's journey and motivations, enhancing the overall storytelling experience.
A fictional adaptation refers to a real event that a writer has dramatized or embellished in order to make it more interesting.
A writer can have many choice of words. It depends on what the writer choose's to write about.
Word choice can make a big difference for the tone of a writer's essay. It is based on context, diction, and specificity of the piece.
No one. I think it is a director's choice for a concept rather than the writer(s) changing the script if you saw a version like this.
From IMDb.com: # Number Seventeen (1932) (scenario) ... aka Number 17 (USA) # Rich and Strange (1931) (adaptation) ... aka East of Shanghai (USA) # The Skin Game (1931) (adaptation) # Murder! (1930) (adaptation) # Juno and the Paycock (1930) (adaptation) ... aka The Shame of Mary Boyle (USA) # Blackmail (1929) (adaptation) # Champagne (1928) (writer) # The Farmer's Wife (1928) (uncredited) # The Ring (1927/I) (written by) # Die Prinzessin und der Geiger (1925) (writer) ... aka The Blackguard # The Passionate Adventure (1924) (writer) # The Prude's Fall (1924) (writer) ... aka Dangerous Virtue (USA) # The White Shadow (1923) (writer) ... aka White Shadows (USA) # Woman to Woman (1923) (writer)
diction
word choice
diction
One key element contributing to a writer's voice is their unique perspective and style of expression. This includes the tone, word choice, sentence structure, and overall personality that the writer conveys through their writing. A writer's voice is often shaped by their experiences, beliefs, and cultural influences, making it distinct and recognizable.
Connotation and denotation
Diction is the word choice of a writer or author in a piece of writing.
Connotation and denotation