A mock epic convention is a literary device where a trivial or mundane subject is treated with the grandeur and epic style typically reserved for more serious or heroic themes. This creates a humorous effect by exaggerating the significance of the trivial subject.
A mock epic is a parody of a regular epic poem. A characteristic of a mock epic is a hero that is larger than life.
Epic is a long narrative poem and mock epic is type of an epic about holding a person up to
Don Quixote is a mock romance, the character of Quixote is mock-heroic. The definition of a mock epic is very similar to that of mock romance, however, the mock epic is the larger idea, and the mock romance is the specific idea.
A humorous poem about an unimportant matter.
The Dunciad, The Rape of the Lock, and Homer
An epic is a long narrative poem that portrays the deeds of a hero on a grand scale, often incorporating elements of mythology or legendary figures. A mock epic is a satirical work that imitates the style and conventions of an epic poem, but portrays a trivial or mundane subject matter instead of heroic deeds. Mock epics use humor and irony to critique aspects of society or human nature.
Alexander Pope's "Rape of the Lock".
The Hasty Pudding is considered a mock epic because it takes ordinary, everyday actions and elevates them to epic proportions through language, structure, and exaggeration. It satirizes the conventions of epic poetry by applying them to mundane subjects, such as making a simple meal like pudding seem like a grand adventure.
One convention of the epic genre employed in Beowulf is the portrayal of a hero with superhuman abilities who embodies the values and ideals of a society. Beowulf's strength, courage, and willingness to selflessly protect his people exemplify this convention.
Mock-heroic
This is an example of a lengthy speech.
"Mac Flecknoe" by John Dryden is considered a mock epic because it parodies the grand style and lofty themes of traditional epic poetry by applying them to a trivial, mundane subject. The poem satirizes the pretentiousness and mediocrity of a contemporary poet (Shadwell) by portraying his succession as a king of dullness in a humorous and exaggerated manner, using epic conventions like elaborate descriptions and heroic language.