Tradition
There's no real technique. You just learn how to cut out all the unnecessary parts of the story and tell it in as short a time as needed. You do need to learn how to tell if your plot needs a short story or a novel, but after that, it's just a matter of practice.
True. A short story typically focuses on a single theme or plot, while a novel has the capacity to explore multiple storylines or subplots in addition to the main plot. This allows novels to delve deeper into character development, world-building, and thematic exploration compared to short stories.
Short stories can vary in structure and may not always adhere to a five-stage plot structure. While some short stories may follow a traditional plot structure with exposition, rising action, climax, falling action, and resolution, others may have a different narrative approach or may focus on other literary elements such as character development or setting.
a short story must be within a certain word count. also its got to be prose In addition, short stories should be of such a length that the average reader can finish it within one sitting. That is just a general rule since the time it takes to read a story depends on the reading ability of an individual reader.
There is not a single plot for this because it is a complete collection of short stories that are all different. The author was also a filmmaker who uses some of these stories to make films.
Characterization Plot Setting But all elements are important
Octopussy and The Living Daylights The title 'Octopussy' comes from the collection of short stories Octopussy and The Living Daylights, however it hardly uses any of the plot of the short story, 'Octopussy'.
No, a theme is more of the main idea of the story rather than the plot. For instance, the theme could be "man against the world" and that theme could apply to a lot of stories, regardless of plot.
The recommended reading order for the Dresden Files books, including the short stories, is to start with the first book in the series, "Storm Front," and then follow the publication order for the rest of the books and short stories. This will help you understand the character development and overarching plot of the series.
The main difference between short stories and novels is length and word count. Although there is some debate, generally speaking a novel is over 30,000 words. A short story is generally under 10,000 words, and probably much shorter. (In fact, many short stories clock in under 3000 words). There is also a category generally known as a "novella," which is basically a short novel, usually between 15,000 and 28,000 words or so.
Originally, short stories were just that: a story that didn't require many words to tell. Often the story ended with a surprise twist or drew some moral (De Maupassant, for instance, or O Henry). Many short stories are still written that way (genre stories, for instance: detective, science fiction, western, romance, etc.). Like most novels, these stories have a plot with a beginning, a middle, and an end. Under the influence of Gogol, Chekhov, and Katherine Mansfield the short story changed to be something different from a short novel. Now, the author attempted to capture a moment in the life of a character (or a group of characters) or to create a particular impression in the mind of the reader. The story grew more allusive: it would be hard to describe the "point" of the story. Plot, in the sense of one event leading to another event, leading to some conclusion, was less important and may disappear altogether. In this form, a short story may focus on a wide variety of events without using a plot: a moment that summarizes a character or crystallizes it or proves to be a turning point in a character's life might all be the subject of a short story, for instance.
It is the stories plot