Fortunato is ironic himself, because he believes himself to be knowledgeable about wine, yet he is dressed in a Fool's costume for the festival and ultimately Montresor uses Fortunato's pride and vanity of such knowledge to fool him into going into the cellar to his death.
Fortunato's name itself is a bit of irony, since it means 'fortunate one' in Italian, however once he is chained to the cellar wall, he meets a most unfortunate end.
Fortunato is a member of the sect, Freemasons. In the catacombs Montresor says that he, too is a "mason." Fortunato asks Montresor for the secret sign known by the Freemasons and Montresor produces a trowel. These are ironic because Montresor will do the work of a "mason" using the trowel to entomb Fortunato behind a brick wall.
While in the catacombs Fortunato coughs due to the dankness of the passageway. Montresor suggests the they leave for the sake of Fortunato's health. Fortunato refuse saying he will not die of a cough. Montresor agrees. The irony is that Montressor knows exactly what will kill Fortunato and how soon it will be.
Another touch of irony is that in the catacombs, Fortunato toasts the many people buried in the catacombs, little knowing that he is shortly to be one of them.
In return to Fortunato's toast to those buried in the catacombs, Montresor drinks to Fortunato's long life, which has but a few hours left.
"The Cask of Amontillado" is full of situational irony in which the character expects one thing but another thing happens. The main character expects to find a cask of wine but ends up finding his casket.
"The Cask of Amontillado" is full of situational irony in which the character expects one thing but another thing happens. The main character expects to find a cask of wine but ends up finding his casket.
On page 6 of "The Cask of Amontillado," the irony lies in Fortunato's insistence on accompanying Montresor to his vaults, believing he can judge the Amontillado's quality despite being intoxicated. This adds to the dramatic irony as the readers know Montresor's true intentions while Fortunato remains oblivious.
In "The Cask of Amontillado," hyperbole is used when Montresor describes Fortunato as his "friend," even though he plans to murder him. By exaggerating their relationship, Montresor creates a sense of dramatic irony that heightens the tension in the story.
In Edgar Allan Poe's story The Cask of Amontillado, the narrator is Montresor.
The Cask of Amontillado was created in 1846-11.
Irony is used in "The Cask of Amontillado" when Montresor lures Fortunato into the catacombs with the promise of tasting a rare wine, but instead locks him in and walls him up alive. The irony lies in the fact that Fortunato, who prides himself on his connoisseurship of wine, ultimately falls victim to his own arrogance and hubris.
The mode in "The Cask of Amontillado" is dark, suspenseful, and Gothic. It creates an atmosphere of tension and foreboding as the story unfolds within the eerie catacombs, reflecting the protagonist's sinister motives and the story's themes of revenge and betrayal.
"The Cask of Amontillado" was published by Godey's Lady's Book in November 1846.
Montresor is wearing a mask of black silk in "The Cask of Amontillado."
A Cask of Amontillado - 2013 was released on: USA: 5 November 2013
Students in high school read The Cask of Amontillado, usually in ninth grade.