In Shakespeare's "A Midsummer Night's Dream," various props are used to enhance the storytelling and create a magical atmosphere. Some of the key props include a love potion (often represented by a vial or bottle), a donkey's head (for the character Bottom's transformation), fairy wings and wands (for the characters Puck and the other fairies), and various symbolic items like flowers, crowns, and swords. These props help bring the fantastical elements of the play to life and contribute to the whimsical and enchanting nature of the story.
Props in sixteenth-century productions were just like props of today. If they needed swords, they had swords. If they needed drinking glasses, they had drinking glasses. They had a skull for Hamlet, a handkerchief for Othello, and a ring for Viola. They did not go in for unnecessary props, props just to decorate the stage. Although Tree insisted on real rabbits to decorate the stage in Midsummer Night's Dream, Shakespeare assuredly did not.
The word "props" is short for "properties". Properties is an old word--Shakespeare uses it in A Midsummer Night's Dream with the same meaning.
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If "A Midsummer Night's Dream" were told in a play format, the audience would experience a more active and visually engaging presentation. The use of stage sets, props, and costumes would enhance the magical and fantastical elements of the story. Additionally, the actors' physical performances would bring out the humor and emotions of the characters in a more immediate and immersive way.
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A Camera and whatever props are needed
The word "props" is an abbreviation of "properties". Shakespeare uses "properties" in exactly this sense in A Midsummer Night's Dream when Peter Quince says, "In the meantime I will draw a bill of properties, such as our play wants." Shakespeare also uses "props" in its meaning as "things which hold something up." He uses this more proper meaning of prop quite often, and the plural twice. For example, Shylock says "You take my house when you do take the prop That doth sustain my house; you take my life When you do take the means whereby I live." Another word for this would be "support" but Shakespeare only uses the noun form of support once.
Each play has its own requirements, and each production is different. Stage swords were frequently required, even in comedies. Rings figure prominently in a number of plays, such as Twelfth Night, The Merchant of Venice and The Comedy of Errors. A bottle could hold poison in Romeo and Juliet or medicine in All's Well that Ends Well. Other props are peculiar to certain plays: a skull is needed for Hamlet, a handkerchief embroidered with strawberries for Othello, a live dog in the Two Gentlemen of Verona. However, compared to modern scripts, Shakespeare's scripts have very modest prop requirements. With some ingenuity, the prop requirements can be filled by a very small selection of items. Shakespeare gives us some insight into the treatment of props in his time in Midsummer Night's Dream. Quince says, "In the meantime I will draw a bill of properties, such as our play wants."
In theater, the responsibility for gathering and organizing props typically falls to the props master or props supervisor. This individual works closely with the director and designers to source, create, and manage all props used in a production. They ensure that each prop is available for rehearsals and performances, maintaining organization and coordinating with other departments as needed. Additionally, they may oversee a team of assistants or volunteers to help with the workload.
Many film props are rented for the production and then returned.
Zombies, chainsaws, two tablespoons imagination, and a good deal of fake blood.