He was just a good man looking out for his fellow man.
The cast of Man Is a Universe - 1954 includes: John Drainie as Narrator
The cast of The Man from Karachi - 1958 includes: Geoffrey Hogwood as Narrator
The cast of The Searching Man - 1965 includes: Budd Knapp as Narrator
The cast of Man Made - 2008 includes: Alan Peterson as Narrator
The narrator has decided to kill the old man because of his eye.
The narrator thinks this man does not realize his own frailty.
The narrator met the mysterious man in a dark alley late one night.
The narrator is neither a "man or a woman" since the narrator speaks in the plural rather than the singular. In that sense the narrator can be thought of as several or all of the townspeople telling the story.
Frank Hurley has: Played Himself - Narrator in "Siege of the South" in 1931. Played Himself - Narrator in "The Triumph of the Telegraph" in 1936. Played Himself - Narrator in "Silver City" in 1936. Played Himself - Narrator in "Antarctic Pioneers" in 1962. Played himself in "Frank Hurley: The Man Who Made History" in 2004.
The narrator of the story "The Man of the House" is an omniscient third-person narrator. This means that the narrator is not a character in the story, but rather an outside observer who knows and sees everything happening in the story.
In "To Build a Fire," the narrator's attitude towards the man is detached and impartial. The narrator does not show any emotional attachment or sympathy towards the man's plight, instead presenting a objective account of the man's actions and decisions in the harsh environment.
the old man's eye.
The narrator is not explicitly identified as either a man or woman in "A Rose for Emily" by William Faulkner. The narrator is more of a collective voice representing the townspeople's perspective on Emily Grierson and her life.
One of the man's eyes resembled a vulture, which drove the narrator to his actions. He thought the man's eye looked like a vulture.
The narrator in "The Tell-Tale Heart" becomes obsessed with the young man's "vulture eye" and ultimately murders him to rid himself of it.
The narrator of The Old Man and the Sea, being a third-person omniscient point of view, is considered reliable as they have access to both the old man's thoughts and outside events. The narrator's portrayal of the old man's thoughts and actions is intended to be objective rather than biased.