Kurt Schwitters was born on June 20, 1887.
In Kurt Schwitters' work, "relief" refers to a sculptural technique where three-dimensional elements are integrated into a two-dimensional surface, creating a sense of depth and texture. This approach often involves the use of found objects and materials, reflecting Schwitters' innovative Dadaist style and his interest in the interplay between art and everyday life. His reliefs challenge traditional boundaries of art, inviting viewers to engage with the piece from multiple perspectives. Ultimately, relief in Schwitters’ context embodies a fusion of collage and sculpture, emphasizing the transformative potential of ordinary materials.
Kurt J. Lesker is most-known for founding his company, the Kurt J. Lesker Company. The Kurt J. Lesker Company was founded in 1954 and is a global leader in vacuum design and technology.
Kurt Geiger is a footwear retailer. It is located in the United Kingdom and recently opened a shop in America. Kurt Geiger is known as a respected shoes company in the United Kingdom.
The birth name of the South African singer, songwriter, and television presenter known as Kurt Darren is Kurt Johan van Heerden.
Kurt Schwitters was born on June 20, 1887.
Kurt Schwitters was born on June 20, 1887.
Kurt Schwitters died on January 8, 1948 at the age of 60.
Kurt Schwitters was born on June 20, 1887 and died on January 8, 1948. Kurt Schwitters would have been 60 years old at the time of death or 128 years old today.
Kurt Schwitters has written: 'Aller Anfang ist Merz' -- subject(s): Exhibitions, Collage, Assemblage (Art), Influence 'Wir spielen, bis uns der Tod abholt' -- subject(s): Correspondence 'Pppppp: Kurt Schwitters Poems, Performance, Pieces, Proses, Plays, Poetics (Border Lines: Works in Translation)' 'Schwitters. [Exhibition] March-April 1963' 'Merz=Kurt Schwitters' -- subject(s): Exhibitions 'Das literarische Werk' -- subject(s): Protected DAISY 'Kurt Schwitters: Catalogue Raisonne' 'Die Geschichte vom Hasen' -- subject(s): Hares, Fiction 'Kurt Schwitters' -- subject(s): Artists, Biography, Criticism and interpretation, Exhibitions, Kunsthalle Basel 'A-N-N-A!' 'Anna Blume und andere Literatur und Grafik' 'Kurt Schwitters in exile' -- subject(s): Exhibitions 'Die Scheuche' 'I Build My Time' 'An Aside' -- subject(s): Art, Modern, Modern Art, Exhibitions 'An exhibition of 75 collages by Schwitters' 'Kurt Schwitters Merzhanky' 'Tran nr. 30 Auguste Bolte' 'Kathedrale' 'Kuwitter' 'A flower like a raven' 'Schwitters' -- subject(s): Exhibitions
ME Burkett has written: 'Kurt Schwitters'
Dresden Academy, 1909-14
Kate Steinitz has written: 'Kurt Schwitters'
P A. Kennerdell has written: 'Kurt Schwitters'
In Kurt Schwitters' work, "relief" refers to a sculptural technique where three-dimensional elements are integrated into a two-dimensional surface, creating a sense of depth and texture. This approach often involves the use of found objects and materials, reflecting Schwitters' innovative Dadaist style and his interest in the interplay between art and everyday life. His reliefs challenge traditional boundaries of art, inviting viewers to engage with the piece from multiple perspectives. Ultimately, relief in Schwitters’ context embodies a fusion of collage and sculpture, emphasizing the transformative potential of ordinary materials.
Kurt Schwitters' oval construction, known as "Merzbau," utilized a variety of materials, including wood, plaster, metal, and found objects. He incorporated everyday items like newspapers, packaging, and other discarded materials, reflecting his innovative approach to collage and assemblage. This eclectic mix created a three-dimensional space that embodied his artistic philosophy of "Merz," emphasizing the integration of art into everyday life. The work was a dynamic and evolving installation, showcasing Schwitters' commitment to the idea of art as an immersive experience.
Kurt Schwitters and Jasper Johns, 'Periscope (Hart Crane)'.