San Giacomo dell'Orio Altarpiece was created in 1546.
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The Merode Altarpiece by Robert Camping is an outstanding triptych of Northern Renaissance style. The figures in this triptych are based on real world observation, as opposed to science and math that were used to create paintings in the Italian Renaissance.
The ceiling of the Sistine Chapel.
Duccio di Buoninsegna used tempera on wood for his iconic altarpiece, the Maestà. This medium allowed him to achieve vibrant colors and intricate details, which were characteristic of his style. The piece was originally created for the Siena Cathedral and showcases a combination of religious themes and innovative composition.
Fra Angelico did several versions of 'The Annunciation'. San Marco in Florence has an Altarpiece in fresco and another at the top of the dormitory stairs.
Gozzi Altarpiece was created in 1520.
Paumgartner altarpiece was created in 1500.
Vallombrosa Altarpiece was created in 1500.
Bentivoglio Altarpiece was created in 1488.
Bardi Altarpiece was created in 1521.
Ghent Altarpiece was created in 1432.
Fano Altarpiece was created in 1497.
Martinengo Altarpiece was created in 1516.
Barbadori Altarpiece was created in 1438.
San Luca Altarpiece was created in 1453.
San Zaccaria Altarpiece was created in 1505.
The Isenheim Altarpiece was created by the German painter Matthias Grünewald between 1512 and 1516. It was commissioned for the Monastery of St. Anthony in Isenheim, France, and is renowned for its vivid and emotional depiction of biblical scenes, particularly the Crucifixion and the Resurrection. The altarpiece showcases Grünewald's masterful use of color and light to convey deep spiritual themes.