San Giacomo dell'Orio Altarpiece was created in 1546.
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The Merode Altarpiece by Robert Camping is an outstanding triptych of Northern Renaissance style. The figures in this triptych are based on real world observation, as opposed to science and math that were used to create paintings in the Italian Renaissance.
The ceiling of the Sistine Chapel.
Duccio di Buoninsegna used tempera on wood for his iconic altarpiece, the Maestà. This medium allowed him to achieve vibrant colors and intricate details, which were characteristic of his style. The piece was originally created for the Siena Cathedral and showcases a combination of religious themes and innovative composition.
Fra Angelico did several versions of 'The Annunciation'. San Marco in Florence has an Altarpiece in fresco and another at the top of the dormitory stairs.
Bentivoglio Altarpiece was created in 1488.
Bardi Altarpiece was created in 1521.
Barbadori Altarpiece was created in 1438.
Vallombrosa Altarpiece was created in 1500.
Paumgartner altarpiece was created in 1500.
Gozzi Altarpiece was created in 1520.
Fano Altarpiece was created in 1497.
Ghent Altarpiece was created in 1432.
Martinengo Altarpiece was created in 1516.
San Luca Altarpiece was created in 1453.
San Zaccaria Altarpiece was created in 1505.
The Isenheim Altarpiece, created by Matthias Grünewald, differs from other artworks of the same period due to its intense and emotional depiction of suffering, particularly in the crucifixion scenes. The altarpiece's focus on the theme of pain and redemption sets it apart from other Renaissance art that tended to idealize figures and scenes. Additionally, the altarpiece's striking use of color and detail, as well as its innovative folding panels, also distinguish it from contemporary works.