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Jean Philippe Arthur Dubuffet (31 July 1901 - 12 May 1985) was a French painter and sculptor.

Click link below to read about him and find links to many of his works.

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What is Jean Dubuffet's birthday?

Jean Dubuffet was born on July 31, 1901.


When was Jean Dubuffet born?

Jean Dubuffet was born on July 31, 1901.


When was Fondation Jean Dubuffet created?

Fondation Jean Dubuffet was created in 1973.


When did Jean Dubuffet die?

Jean Dubuffet died on May 12, 1985 at the age of 83.


How old was Jean Dubuffet at death?

Jean Dubuffet died on May 12, 1985 at the age of 83.


How old is Jean Dubuffet?

Jean Dubuffet was born on July 31, 1901 and died on May 12, 1985. Jean Dubuffet would have been 83 years old at the time of death or 113 years old today.


What lead jean dubuffet's death?

he was to old


Why do the works by Jean Dubuffet such as Corps de Dame look do disordered?

He modeled his works after the art brut created by psychotics and children


What did jean dubuffet use to create his sculptures?

Jean Dubuffet often used unconventional materials to create his sculptures, including found objects, concrete, and various mixed media. He was known for incorporating elements like tar, sand, and even industrial materials to challenge traditional notions of art. His approach emphasized texture and form, reflecting his interest in the raw and unrefined aspects of creativity. Dubuffet aimed to break away from the norms of fine art, celebrating the ordinary and the outsider's perspective.


How did Jean Dubuffet make models for his large resin sculptures?

He probably carved large plaster or clay sculptures and then made a clay mold to create the final resin cast.


What actors and actresses appeared in A Place to Be - 1979?

The cast of A Place to Be - 1979 includes: Jean Dubuffet as himself Robert Motherwell as himself James Rosati as himself David Wayne as Narrator


How did Jean Dubuffet make models for his large scale resin sculptures?

Jean Dubuffet often created models for his large-scale resin sculptures using smaller, more manageable materials like plaster or clay. These models allowed him to experiment with forms and textures before committing to the larger pieces. His approach emphasized spontaneity and the raw, tactile qualities of the materials, reflecting his interest in art that challenged traditional aesthetics. The models served as a crucial step in translating his imaginative concepts into monumental works of art.