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El Greco believed that in painting most difficult between colore and disegno was colore. To quote his own words in the margin of Vitruvius' Architettura: 'es la ymitation de colores que tengo yo por la mayor dificultad.' [Special:Wysiwyg(It is the imitation of colours [in nature]that I consider as the greatest difficulty). The evidence to be discussed comprises observations of key works at close range, the conservation reports and pertinent information in the primary texts. El Greco's comments in the margin of Vitruvius' Architettura contribute to his intellectual prestige, which allows him to disagree with such authorities as Vitruvius and disregard his views on colores floridi - asserting his own preferences for intense and brilliant colouring. On El Greco's annotations which pertain to painting and colour, in order to define his meaning of colour difficulties, see Stella Lewis, 'El Greco and the "difficulties" of colour', 2008. [2Special:Wysiwyg

Special:WysiwygSee Greco's marginal note to Vitruvius, [Proemio, pp. 7-8]; Marías and Bustamante 1981, p. 226.

[2] See Stella Lewis, 'El Greco and the "difficulties" of colour', PhD thesis, The Open Universisty, 2008, chapter VII.

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14y ago
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12y ago

He found he had the talent and the urge.

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Q: Why did El Greco paint?
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