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A typical Baroque solo concerto follows a three-movement structure, commonly arranged in the sequence of fast-slow-fast. The first movement is often in a sonata form, featuring contrasting themes and an energetic dialogue between the soloist and the orchestra. The second movement offers a lyrical, expressive contrast, while the final movement returns to a lively tempo, often featuring ritornello form where the orchestra alternates with the soloist. This structure showcases the virtuosity of the solo instrument while highlighting the orchestral accompaniment.

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