Subtly different than Mark Antony's appeal in Julius Caesar the goal of argument is to discover a truth through reasoning.
Cleopatra
In Shakespeare's play "Julius Caesar," it is Mark Antony himself who suggests that his life be spared after Caesar's assassination. Antony appeals to Brutus and the other conspirators, arguing that he has been a loyal friend to Caesar and that sparing him would be a sign of their strength and honor. He cleverly uses rhetoric to manipulate the conspirators into allowing him to live, ultimately leading to his powerful oration that incites the public against them.
In Shakespeare's "Julius Caesar," when Brutus refers to Caesar having "the falling sickness," he is alluding to Caesar's epilepsy, a condition characterized by seizures. This phrase serves to undermine Caesar's image of strength and invulnerability, suggesting that he is physically weak and unfit to hold power. It also highlights Brutus's internal conflict, as he is torn between his loyalty to Caesar and his belief that Caesar's potential rule could threaten the Republic.
Honourable.
his loyalty was bad. - (I think) -
His response to Julius Caesar was .. would you like a Caesar salad ? :)
No, none of the kings of Europe were descended from Julius Caesar. Julius Caesar himself had no male heir and his only daughter died in childbirth. However, connotations for a king, such as Tsar and Kaiser, are titles taken from the name/title Caesar.No, none of the kings of Europe were descended from Julius Caesar. Julius Caesar himself had no male heir and his only daughter died in childbirth. However, connotations for a king, such as Tsar and Kaiser, are titles taken from the name/title Caesar.No, none of the kings of Europe were descended from Julius Caesar. Julius Caesar himself had no male heir and his only daughter died in childbirth. However, connotations for a king, such as Tsar and Kaiser, are titles taken from the name/title Caesar.No, none of the kings of Europe were descended from Julius Caesar. Julius Caesar himself had no male heir and his only daughter died in childbirth. However, connotations for a king, such as Tsar and Kaiser, are titles taken from the name/title Caesar.No, none of the kings of Europe were descended from Julius Caesar. Julius Caesar himself had no male heir and his only daughter died in childbirth. However, connotations for a king, such as Tsar and Kaiser, are titles taken from the name/title Caesar.No, none of the kings of Europe were descended from Julius Caesar. Julius Caesar himself had no male heir and his only daughter died in childbirth. However, connotations for a king, such as Tsar and Kaiser, are titles taken from the name/title Caesar.No, none of the kings of Europe were descended from Julius Caesar. Julius Caesar himself had no male heir and his only daughter died in childbirth. However, connotations for a king, such as Tsar and Kaiser, are titles taken from the name/title Caesar.No, none of the kings of Europe were descended from Julius Caesar. Julius Caesar himself had no male heir and his only daughter died in childbirth. However, connotations for a king, such as Tsar and Kaiser, are titles taken from the name/title Caesar.No, none of the kings of Europe were descended from Julius Caesar. Julius Caesar himself had no male heir and his only daughter died in childbirth. However, connotations for a king, such as Tsar and Kaiser, are titles taken from the name/title Caesar.
Subtly different than Mark Antony's appeal in Julius Caesar the goal of argument is to discover a truth through reasoning.
In Mark Antony's speech from Shakespeare's "Julius Caesar," he begins with the famous lines: "Friends, Romans, countrymen, lend me your ears; / I come to bury Caesar, not to praise him. / The evil that men do lives after them; / The good is oft interred with their bones; / So let it be with Caesar." These opening lines set the tone for his manipulative rhetoric, as he seeks to sway public opinion against the conspirators who assassinated Caesar.
Cleopatra
Polytheistic.
In Shakespeare's play "Julius Caesar," it is Mark Antony himself who suggests that his life be spared after Caesar's assassination. Antony appeals to Brutus and the other conspirators, arguing that he has been a loyal friend to Caesar and that sparing him would be a sign of their strength and honor. He cleverly uses rhetoric to manipulate the conspirators into allowing him to live, ultimately leading to his powerful oration that incites the public against them.
Use of repetition to reinforce key points and evoke emotion. Appeal to emotions by painting vivid images of Caesar's injuries and the injustices done to him. Employing rhetorical questions to engage the audience and prompt them to reflect on their beliefs. Contrast between the honorable qualities of Caesar and the motives of his assassins. Utilizing the power of irony to highlight the absurdity of the conspirators' actions.
The citizens reacted with a mix of confusion and growing anger to Antony's words. Initially, they were uncertain about his intentions, but as he skillfully highlighted Caesar's accomplishments and questioned the motives behind his assassination, their emotions shifted. Antony's passionate rhetoric and presentation of Caesar's will incited feelings of betrayal and rage, ultimately leading them to rally against the conspirators. This shift in sentiment marked a pivotal moment in the aftermath of Caesar's death.
Alexander and Cesarea
In Shakespeare's "Julius Caesar," Mark Antony stirs the crowd into a frenzy by displaying Caesar's bloody cloak and pointing out the stab wounds on his body, particularly emphasizing Brutus's betrayal. He repeatedly refers to Brutus as "an honorable man," using irony to undermine Brutus's credibility and evoke sympathy for Caesar. Antony's emotional appeal, combined with his rhetorical skill and the revelation of Caesar's will, ignites the people's anger and transforms their grief into a desire for vengeance against the conspirators.