When drawing or painting, the Egyptians had to be quick for most of the time they drew into the drying walls or tombs, temples, or homes. They drew people with their bodies facing forward but their head sideways simply because it was easier and more convenient.
You can distinguish between Egyptian and Greek sculptures by examining their stylistic features and subject matter. Egyptian sculptures often have a rigid, frontal pose, with a focus on idealized forms and symbolic representations, while Greek sculptures typically exhibit dynamic poses, a greater emphasis on naturalism, and detailed anatomical accuracy. Additionally, Egyptian art frequently includes hieroglyphics and is often associated with religious or funerary contexts, whereas Greek art celebrates humanism and mythology. The materials used can also be indicative, as Egyptians frequently used stone, while Greeks utilized marble and bronze.
Ancient Egyptian depictions of people were strictly governed by tradition and religion, as well as purely practical considerations.The rule was that each individual part of the human figure must be shown from its most recognisable viewpoint, even if this meant showing the eye (for example) as if seen from the front, but the rest of the face is seen in profile (from the side). Look closely at ancient Egyptian paintings and you can see this is true. An eye seen from the side would have been more difficult to understand.The same applies to shoulders - they make most sense when seen from the front, but the rest of the torso and legs are always shown from the side. This does not mean that ancient Egyptians walked around in a peculiar pose - they walked exactly like everyone else.Frontal portraits are rare in Egyptian art, but they do exist. They are usually reserved for musicians, acrobats and other entertainers, who were not thought to have any status - so it didn't matter if they were shown differently.Painting "three dimensionally" on a two-dimensional surface is all about shadow and highlights, light and shade, tonal modelling and understanding perspective. None of these things were known to Egyptian artists, who continued the same flat style of painting for thousands of years and never felt any need to change.
Evidentally not! Plenty of ancient coins have survived from Greece, the Roman Empire, etc, but nothing from Egypt.l Paper money was too far ahead of the time, anyhow ( The Chinese, who perfected papermaking, came out with some in the l2Th Century AD) Evidentally they had what amounted to a moneyless economy! Of course the slaves did not need or use money, and the nobles had everything on the House ( or pyramid). It does pose the problem of a moneyless society that was nonetheless advanced with a Capital A,. No
The Torah states that Pharaoh claimed that the high Israelite birth-rate could pose a potential threat (Exodus ch.1).On a spiritual level, the Egyptian slavery was brought about by God (see Genesis ch.15). It taught us the importance of loving the stranger (Deuteronomy 10:19), it showed us the power of God when He redeemed us (Exodus 10:2) as well as His personal concern for us (Exodus 2:24); and it served as the "iron furnace" (Deuteronomy 4:20) which smelted us (the Israelites) into a nation and separated the dross.See also:TimelineThe Exodus
To provide a specific answer, I would need to see the artwork in question. However, a typical feature of Egyptian art that might be absent could be the use of frontalism, where figures are depicted in profile with the head, legs, and feet shown in profile while the torso faces forward. If the artwork instead shows figures in a more naturalistic or varied pose, that would be a departure from traditional Egyptian artistic conventions.
no, they didnt pose.... why would they?
The three main poses of Egyptian sculpture are the standing pose, the seated pose, and the reclining pose. The standing pose typically depicts figures with one foot forward, symbolizing movement and life, while the seated pose conveys stability and authority, often used for pharaohs and deities. The reclining pose, less common, represents relaxation and the afterlife, often seen in tomb sculptures. These poses reflect the Egyptians' emphasis on order, permanence, and the divine nature of their subjects.
It's unknown, since gay people in ancient world were not closeted. But the first record of a possible same-sex couple in history is commonly regarded as Khnumhotep and Niankhkhnum, an ancient Egyptian male couple, who lived around 2400 BCE. The pair are portrayed in a nose-kissing position, the most intimate pose in Egyptian art, surrounded by what appear to be their heirs.
No one knows for sure, but the first record of a possible same-sex couple in history is commonly regarded as Khnumhotep and Niankhkhnum, an ancient Egyptian male couple, who lived around 2400 BCE. The pair are portrayed in a nose-kissing position, the most intimate pose in Egyptian art, surrounded by what appear to be their heirs.
You can distinguish between Egyptian and Greek sculptures by examining their stylistic features and subject matter. Egyptian sculptures often have a rigid, frontal pose, with a focus on idealized forms and symbolic representations, while Greek sculptures typically exhibit dynamic poses, a greater emphasis on naturalism, and detailed anatomical accuracy. Additionally, Egyptian art frequently includes hieroglyphics and is often associated with religious or funerary contexts, whereas Greek art celebrates humanism and mythology. The materials used can also be indicative, as Egyptians frequently used stone, while Greeks utilized marble and bronze.
Ancient Egyptian depictions of people were strictly governed by tradition and religion, as well as purely practical considerations.The rule was that each individual part of the human figure must be shown from its most recognisable viewpoint, even if this meant showing the eye (for example) as if seen from the front, but the rest of the face is seen in profile (from the side). Look closely at ancient Egyptian paintings and you can see this is true. An eye seen from the side would have been more difficult to understand.The same applies to shoulders - they make most sense when seen from the front, but the rest of the torso and legs are always shown from the side. This does not mean that ancient Egyptians walked around in a peculiar pose - they walked exactly like everyone else.Frontal portraits are rare in Egyptian art, but they do exist. They are usually reserved for musicians, acrobats and other entertainers, who were not thought to have any status - so it didn't matter if they were shown differently.Painting "three dimensionally" on a two-dimensional surface is all about shadow and highlights, light and shade, tonal modelling and understanding perspective. None of these things were known to Egyptian artists, who continued the same flat style of painting for thousands of years and never felt any need to change.
No one knows, since there have been gay people since before recorded history. But if you are talking about recorded history, then the first record of a possible same-sex couple in history is commonly regarded as Khnumhotep and Niankhkhnum, an ancient Egyptian male couple, who lived around 2400 BCE. The pair are portrayed in a nose-kissing position, the most intimate pose in Egyptian art, surrounded by what appear to be their heirs.
Evidentally not! Plenty of ancient coins have survived from Greece, the Roman Empire, etc, but nothing from Egypt.l Paper money was too far ahead of the time, anyhow ( The Chinese, who perfected papermaking, came out with some in the l2Th Century AD) Evidentally they had what amounted to a moneyless economy! Of course the slaves did not need or use money, and the nobles had everything on the House ( or pyramid). It does pose the problem of a moneyless society that was nonetheless advanced with a Capital A,. No
Hebe is a ancient Greek goddess, and the only "threat" she poses is representing a religion non-Christian.
He had a large war fleet which could control the Aegean Sea.
Mountain Pose. Forward Fold. Plank Pose. Downward Dog. Child's Pose
The Scientific Inquiry Process:1. Pose Questions2. Form a Hypothesis3. Design Experiment4. Collect and Interpret Data5. Draw Conclusions6. Communicate