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Church wall paintings covered a wide range of religious subjects: Heaven and hell, the lives of the Saints, Bible stories, the life and crucifixion of Christ, the Virtues overcoming the Vices and so on.

The point of all of these was to illustrate these subjects for people who could not read; paintings of the Last Judgement helped the priest to communicate The Bible message to an audience who could not read about it for themselves.

Very few original medieval wall paintings survive today, but thanks to the work of E W Tristram a large number have been recorded and published in his three books on the subject.

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What are medieval doom paintings?

Medieval doom paintings are pictures of what medieval people thought of. A picture of Heaven and a picture of Hell. A doom is a painting of the last judgment, an event in christian eschatology. Christ judges souls, and then sends them to either heaven or hell. Many Dooms survive in medieval churches dating from around the 12th to 16th centuries, although they were virtually standard in churches from much earlier than that. Dooms were used to remind medieval Christians of the afterlife and Judgment Day, and to help keep them mindful of sinning by showing in graphic detail the dramatic difference between Heaven and Hell. A Doom was usually sited either on the rear (Western) wall, if that had a suitable space, or at the front of a church, often on the Chancel arch itself, so that it would be constantly in view of worshipers as they looked towards the Priest during services. Although there are many different versions, the theme's format stays broadly the same. On the left side of a Doom painting (that is, on Christ's right hand) is Heaven, whilst on the right is Hell. At the top of the image Jesus Christ sits in glory with his right hand encouraging the saved up and his left hand pointing down to Hell for the damned. Typically flanking him is the virgin Mary on his right and John the apostle on his left, sometimes with the twenty four elders mentioned in the book of Revelation encircling the three of them. The angles blow their trumpets to raise the dead for judgment. Commonly the Archangel lord is in the centre, with the scales he will use to weigh the souls of humanity to see if individually they are fit for Heaven: one person is on one side of the scale while demonic creatures that represent the sins committed by the person are on the other side of the scale. The creatures try to tip the scales in their favour while, in some versions of the painting, The Virgin Mary places a rosary next to the person she wishes to protect, or puts her hand on the scale to counterbalance the demons. Those who are worthy are brought to the gates of Heaven, frequently represented by a castle with large walls built to keep out sinful impurities. This is most commonly depicted on the left hand side of Doom paintings. Groups of angels adorn the walls of Heaven celebrating the saved as they approach Heaven's gates, where saint peter waits with his keys. Those on the other side of the painting, unworthy of Heaven, are seized by demons and brought into the mouth of hell, beyond which, mostly out of sight, lie the bowels of Hell where endless pain and suffering await them. The mouth of Hell is usually represented by a huge monster with its fiery mouth open wide to receive the Damned being forced into it. In some cases the demons have chains tied around the Damned who are helplessly pulled in, while in others the Damned are dragged or carried. In yet other cases the Damned are brought into Hell in wheelbarrows or baskets.


Why do you think they were easy targets?

monkeys of doom


What is the Day of Doom in Julius Cesar?

ideas of march


What was Napoleons personality trait that led to his doom?

He was obsessed with war


What is the meaning of the name casandra?

Greek The original prophet of doom in classical mythology

Related Questions

What are the names of doom paintings?

You would find a Doom painting in a Medieval church


Why were medieval doom paintings used?

Doom paintings were used to warn people about living a sinful life by showing them heaven and hell.Read more: Why_were_medieval_doom_paintings_used


Why was it important to have doom paintings if the service was in Latin?

It was important to have doom paintings if the service was Latin because not many people back then in medieval England knew latin, so paintings would help the congregation understand the message the preist was trying to get across.


Why were doom paintings use?

Doom paintings were used to warn people about living a sinful life by showing them heaven and hell.


Where would you find a doom painting?

You would find a Doom painting in a Medieval church


How did Doom paintings help the church keep control?

doom paintings helped the church keep control because they told horrible stories about hell and why you should be good.


Why were doom pictures created?

Doom Pictures ---------------- In medival times the Parish Churches were plastered on both the inside and outside - and then pictures to illustrate biblical scenes were painted on them. Most people could not read so they were taught the Bible stories by looking at Various pictures of them (Doom Pictues).


What is doom painting?

A 'Doom' is the traditional English term for a painting or image that reflects The Bible's depiction of the 'Last Judgement.' It refers to the judgement of souls and whether they're sent to Heaven or hell. These paintings are common on the Western walls of numerous churches in England. The most famous Doom painting is the Last Judgement by Michelangelo, which is in the Sistine Chapel, the residence of the Pope in Vatican City, Italy.


What is the doom painting?

The "Doom Painting" refers to a genre of medieval art that depicts the Last Judgment, showing the fate of souls after death. These paintings often feature detailed scenes of heaven, hell, and purgatory, with angels and demons playing prominent roles. The purpose of these artworks was to remind viewers of the consequences of their actions and to encourage repentance and a devout life.


How many doom are there in the Bible?

The word "doom" is not found in the King James Version.But in the New International Version it's found 7 times.


What is that song in stomp the yard during the end competition it goes doom da da doom doom doom da da doom doom doom?

death


What are medieval doom paintings?

Medieval doom paintings are pictures of what medieval people thought of. A picture of Heaven and a picture of Hell. A doom is a painting of the last judgment, an event in christian eschatology. Christ judges souls, and then sends them to either heaven or hell. Many Dooms survive in medieval churches dating from around the 12th to 16th centuries, although they were virtually standard in churches from much earlier than that. Dooms were used to remind medieval Christians of the afterlife and Judgment Day, and to help keep them mindful of sinning by showing in graphic detail the dramatic difference between Heaven and Hell. A Doom was usually sited either on the rear (Western) wall, if that had a suitable space, or at the front of a church, often on the Chancel arch itself, so that it would be constantly in view of worshipers as they looked towards the Priest during services. Although there are many different versions, the theme's format stays broadly the same. On the left side of a Doom painting (that is, on Christ's right hand) is Heaven, whilst on the right is Hell. At the top of the image Jesus Christ sits in glory with his right hand encouraging the saved up and his left hand pointing down to Hell for the damned. Typically flanking him is the virgin Mary on his right and John the apostle on his left, sometimes with the twenty four elders mentioned in the book of Revelation encircling the three of them. The angles blow their trumpets to raise the dead for judgment. Commonly the Archangel lord is in the centre, with the scales he will use to weigh the souls of humanity to see if individually they are fit for Heaven: one person is on one side of the scale while demonic creatures that represent the sins committed by the person are on the other side of the scale. The creatures try to tip the scales in their favour while, in some versions of the painting, The Virgin Mary places a rosary next to the person she wishes to protect, or puts her hand on the scale to counterbalance the demons. Those who are worthy are brought to the gates of Heaven, frequently represented by a castle with large walls built to keep out sinful impurities. This is most commonly depicted on the left hand side of Doom paintings. Groups of angels adorn the walls of Heaven celebrating the saved as they approach Heaven's gates, where saint peter waits with his keys. Those on the other side of the painting, unworthy of Heaven, are seized by demons and brought into the mouth of hell, beyond which, mostly out of sight, lie the bowels of Hell where endless pain and suffering await them. The mouth of Hell is usually represented by a huge monster with its fiery mouth open wide to receive the Damned being forced into it. In some cases the demons have chains tied around the Damned who are helplessly pulled in, while in others the Damned are dragged or carried. In yet other cases the Damned are brought into Hell in wheelbarrows or baskets.