Yes
An augmented octave is an interval comprising thirteen semitones and eight note names - for example, C to C sharp.
In a harmonic interval, two notes are played simultaneously. The arrangement is defined by the distance between the two notes, measured in steps or semitones. Common harmonic intervals include the octave (8 semitones), fifth (7 semitones), and fourth (5 semitones). The specific quality of the interval, such as major, minor, perfect, augmented, or diminished, further characterizes the relationship between the notes.
To raise a chord by one octave, simply move each note of the chord up by twelve semitones. For example, if you have a C major chord consisting of the notes C, E, and G, raising it by one octave would result in the notes C, E, and G played one octave higher (C, E, and G in the next higher register). This can be done on an instrument by playing the same chord in a higher position or by transposing the chord notation up an octave.
I played an octave on the piano.
Yes
An augmented octave is an interval comprising thirteen semitones and eight note names - for example, C to C sharp.
1&2,2,2&3,1&2,2,0,1,0 that is one octave ascending
This would be a chromatic scale. In this scale, the octave is divided into semitones - twelve in total - and each semitone is played in succession.
There is no such thing as a ''tritonic scale'', a tritone is an interval of six semitones (half an octave), hence the name ''tritone'' which means ''three tones''.
I am not assuming I am in the key of F (one flat), there is one semi-tone in each octave: B flat. While Iam navigating the entire 2 1/2 octave range, navigating the range chromatically, then each note change is a semi-tone, 13 semi-tones in all for each octave. So 13+13+6 = 32 semi-tones in 2½ octaves.
You play from the correct Tonic to the octave observing the appropriate flats for that key signature.
To raise a chord by one octave, simply move each note of the chord up by twelve semitones. For example, if you have a C major chord consisting of the notes C, E, and G, raising it by one octave would result in the notes C, E, and G played one octave higher (C, E, and G in the next higher register). This can be done on an instrument by playing the same chord in a higher position or by transposing the chord notation up an octave.
There are 5 different notes in a slendro scale. Each interval is an equal division of an octave. (i.e. each interval is about 2.2 semitones.)
There is a total of 29 notes: 14 are ascending, 1 is at the top of the scale, and the other 14 are descending.
Known for her five-octave vocal range, power, melismatic style and signature use of the whistle register.
You can either transpose the music down a few semitones or play the whole piece an octave lower. I don't know the notes so I can't tell you which, but transposing the music will put it at a different pitch and be easier to play.