The "tonic" or "dominant" (terms perhaps not applicable to chromatic scales, but used for ease of reference) letter names of the scale are written once each, and all other letter names are written twice. For example,
C harmonic chromatic is: C, Db, D, Eb, E, F, F#, G, Ab, A, Bb, B, C
D harmonic chromatic is: D, Eb, E, F, F#, G, G#, A, Bb, B, C, C#, D
(Of course, strictly speaking the tonic is actually written twice: once at the bottom and once at the top.)
I believe the rationale behind the harmonic chromatic scale is to create a "key-related" chromatic by "layering" the major and minor scales together, then adding the b2 and #4 to complete the set (so to speak). That is why it is important that the tonic and dominant are not repeated.
The chromatic scale has twelve different pitches on it. These pitches range from A to G sharp (G#) or A flat (Ab). All semitones in the chromatic scale are the same size.
chromatic scale
The chromatic scale is all half-steps, so no formula is required.
12. Every note in the chromatic scale is a half step from its consecutive notes.
The notes to E harmonic minor are E F# G A B C D# E. You can write it out on your own staff paper.
harmonic minor or chromatic, but i would go with the first.
There are 12 pitches in the chromatic scale.
That's a chromatic scale.
The chromatic scale has twelve different pitches on it. These pitches range from A to G sharp (G#) or A flat (Ab). All semitones in the chromatic scale are the same size.
A chromatic scale will, by definition, have sharps and/or flats.
chromatic scale
The harmonic minor scale is in the minor mode.
using notes of the chromatic scale-apex
The chromatic scale is all half-steps, so no formula is required.
which opera is harmonically based on chromatic scale...Carmen?...Salome...Aida or Tristan and Isolde?
when notating a chromatic scale, use sharps for ascending pitches and flats for descending pitches.
E, F#, G, A, B, C, D#, E