Going from b-flat and e-flat is equal to a perfect fourth interval, which is five semitones (or "half-steps").
When counted in half steps, B lies between these two notes. It implies that the interval has two half steps. Hence the interval between B flat and C is one whole step, one tone.
No
In a perfect interval: 7 and a half steps In a 5th diminish: 6 and a half steps
2 Half steps
2
One half step.
7, not including the Ab or the E.
When counted in half steps, B lies between these two notes. It implies that the interval has two half steps. Hence the interval between B flat and C is one whole step, one tone.
It depends honestly because there no such thing as an E sharp or F flat and also a flat is a sharp at the same time an A sharp is the same thing as B flat but between an A sharp And C sharp(or D flat) (also B and C is just like E and F) there is one and one half steps between those two notes. It honestly depends on what sharp and Flat youre talking about
No
6 half steps
Four half steps, or two whole steps.
In a perfect interval: 7 and a half steps In a 5th diminish: 6 and a half steps
2 Half steps
two
There are five whole steps in a heptatonic (7-note) major scale. They occur between the 1st and 2nd notes, the 2nd and 3rd notes, the 4th and 5th notes, the 5th and 6th notes, and the 6th and 7th notes. In practice, the scale usually includes an 8th note, which is one octave above the Tonic (first note). In practice, scales are played in both ascending and descending form; therefore the relation between the 7th and 8th notes is important! Half-steps thus occur between the 3rd and 4th notes, and between the 7th and 8th notes. Therefore, in response to your question, there are 2 half-steps in any major scale. Yours truly, Fredrick Pritchard
2