F, E, D, C, Bb, A, G and F.
F - E - D - C - B flat - A - G - F
The F major scale is the same no matter what instrument. Ascending: F G A Bb C D E F Descending: F E D C Bb A G F
The minor keys usually have a darker sound and feel to them - as opposed to the major keys which sound generally brighter. The minor keys are based on the sixth degree of a given major scale (lets take D major as an example, if we go up six steps in this scale we get the notes D, E, F♯, G, A, and B). So B minor will have the same key signature as D major (with two sharps). In a major scale there are four semitones between the first and third degrees of the scale but in minor keys there are only three semitones. So in the D major scale the third scale degree (mediant) is F♯ but the same degree in D minor if F♮ (natural). As with the major keys, minor keys can also contain up to seven sharps or flats in their key signature too.
None. The F major scale has a B flat.
This is the scale of F major on the flute: F G A Bb C D E F.
F - E - D - C - B flat - A - G - F
The F major scale, ascending and descending, is: F, G, A, B flat, C, D, E, F, E, D, C, B flat, A, G, F
The F major scale is the same no matter what instrument. Ascending: F G A Bb C D E F Descending: F E D C Bb A G F
F, f♯, g, g♯, a, b♭, b♮, c, c♯, d, d♯, e, f
The semitones are found between the F# and G, and then between the C# and D.
7 notes are in the major scale. Example: The C major scale would be C, D, E, F, G, A, B, and C again, which is 8 notes when played, but technically the C wouldn't be counted twice so you only end up with 7 different tones. The G major scale would be the same and so on. Example: G, A, B, C, D, E, F#(G)
The minor keys usually have a darker sound and feel to them - as opposed to the major keys which sound generally brighter. The minor keys are based on the sixth degree of a given major scale (lets take D major as an example, if we go up six steps in this scale we get the notes D, E, F♯, G, A, and B). So B minor will have the same key signature as D major (with two sharps). In a major scale there are four semitones between the first and third degrees of the scale but in minor keys there are only three semitones. So in the D major scale the third scale degree (mediant) is F♯ but the same degree in D minor if F♮ (natural). As with the major keys, minor keys can also contain up to seven sharps or flats in their key signature too.
The primary difference between a major and minor scale is in the positioning of the tones and semitones that make up the scale. Both scales have eight notes. In the standard harmonic minor scale, the semitones occur between the 2nd and 3rd notes of the scale, whilst in the major scale, the semitones occur between the 3rd and 4th notes, and the 7th and 8th notes.
The following sequence of whole (w) and half (h) steps produces a major scale:W W H W W W HSo, starting on D for example, go up a whole step to E, another whole step to F#, then a half step to G, and so on...eventually you get D E F# G A B C# DAnother way of referring to the notes is by their distance from the root; the interval.root, major second, major third, perfect fourth, perfect fifth, major sixth, major seventh, octave
B melodic minor is the relative melodic minor of D major, and therefore consists of the sharps of D major, with a raised sixth and seventh on the ascending scale, and with a flattened sixth and seventh on the descending scale. Therefore the scale's notes (ascending and descending) are as follows: B C# D E F# G# A# B A G F# E D C# B
E A major second is equivalent to a whole note, or two semitones, and two semitones down from G-flat (which is enharmonically equivalent to F-sharp) is E, although it might be written as F-flat depending on the key signature. F-flat, E to G-flat would be a diminished 3rd, not a major second..
None. The F major scale has a B flat.