It is called the "answer".
That's the "area" of the region or fugue.
A Dorian key signature is an earlier style of key signature used on pieces in minor keys. A good example is J.S. Bach's Toccata and Fugue in D Minor, BWV 538, that was notated with a key signature of zero flats rather than the one flat of a contemporary key signature notation for D Minor. The Dorian mode is a mode of the major scale built off of the second scale degree of a major scale and, therefore, a Dorian key signature for D Minor would be the signature for the major scale a whole step below: C Major...therefore zero flats. The D Dorian scale is spelled D, E, F, G, A, B, C and therefore shares the same key signature as C Major in this older notational system. It is now customary within the western tonal system to relate minor keys to the key signature of the major key found a minor third above. D Minor is now written with one flat, the key signature of F Major. Today the "natural minor" scale or Aeolian mode (the mode built off the 6th scale degree of major) is the common reference point for a minor key's key signature.
It is called the "answer".
It is called the "answer".
A fugue in music is a complex composition where a main theme, called the subject, is introduced and then repeated and developed by different voices or instruments. The structure of a fugue typically includes an exposition where the subject is presented, followed by episodes where the subject is varied and explored in different ways. The fugue then builds to a climax before resolving back to the original subject.
The opening section of a fugue is called the "exposition." In the exposition, all the voices of the fugue enter in turn with the subject (or answer).
Answer.
The recurring theme of the piece. It can be presented with different tempos or keys.
True.
The exposition, subject entries, and episodes
Presenting the subject of a fugue in shortened time values is called "diminution." This technique involves reducing the note values of the original subject, creating a more intricate and faster-paced version of the melody. Diminution adds complexity to the fugue's texture and can enhance the overall musical interest.
stretto
Allen Hobbs has written: 'The fugue' -- subject(s): Fugue
A polyphonic composition based on one main theme or subject is called a fugue. In a fugue, the main theme, known as the subject, is introduced and then imitated by different voices or instruments in a contrapuntal manner. This creates a complex and intricate musical texture.