D major has a key signature of F sharp and C sharp
D minor has a key signature of B flat
A Dorian key signature is an earlier style of key signature used on pieces in minor keys. A good example is J.S. Bach's Toccata and Fugue in D Minor, BWV 538, that was notated with a key signature of zero flats rather than the one flat of a contemporary key signature notation for D Minor. The Dorian mode is a mode of the major scale built off of the second scale degree of a major scale and, therefore, a Dorian key signature for D Minor would be the signature for the major scale a whole step below: C Major...therefore zero flats. The D Dorian scale is spelled D, E, F, G, A, B, C and therefore shares the same key signature as C Major in this older notational system. It is now customary within the western tonal system to relate minor keys to the key signature of the major key found a minor third above. D Minor is now written with one flat, the key signature of F Major. Today the "natural minor" scale or Aeolian mode (the mode built off the 6th scale degree of major) is the common reference point for a minor key's key signature.
There is not three notes in any scale or key, if you are asking about the accidentals, there is one flat (Bb) in the key signature plus an additional C sharp for the harmonic minor scale.
There is no key signature for D harmonic minor in particular - as the raised seventh is not part of the key signature. In all clefs, D minor has one flat and in all cases (since the raised seventh in this scale is C♯), to avoid confusion it is best to avoid having both a sharp and a flat in the same key signature.
D minor - more specifically, D harmonic minor (the version of the minor scale with a flat 6 and a sharp 7). However, you will never see a key signature with a B flat and a C sharp. The key signature will only contain B flat.
The key signature indicates which notes are sharp, natural, or flat. Every key has a specific signature.
The scale with two sharps in the key signature is called the D major scale.
The key signature with one flat is either F major or D minor.
A Dorian key signature is an earlier style of key signature used on pieces in minor keys. A good example is J.S. Bach's Toccata and Fugue in D Minor, BWV 538, that was notated with a key signature of zero flats rather than the one flat of a contemporary key signature notation for D Minor. The Dorian mode is a mode of the major scale built off of the second scale degree of a major scale and, therefore, a Dorian key signature for D Minor would be the signature for the major scale a whole step below: C Major...therefore zero flats. The D Dorian scale is spelled D, E, F, G, A, B, C and therefore shares the same key signature as C Major in this older notational system. It is now customary within the western tonal system to relate minor keys to the key signature of the major key found a minor third above. D Minor is now written with one flat, the key signature of F Major. Today the "natural minor" scale or Aeolian mode (the mode built off the 6th scale degree of major) is the common reference point for a minor key's key signature.
D, e, f#, g, a, b, c#, d
There is not three notes in any scale or key, if you are asking about the accidentals, there is one flat (Bb) in the key signature plus an additional C sharp for the harmonic minor scale.
The scale with four sharps in its key signature is the E major scale.
The scale that has two flats in its key signature is the key of Bb major.
The scale with 2 flats in its key signature is the key of Bb major.
There is no key signature for D harmonic minor in particular - as the raised seventh is not part of the key signature. In all clefs, D minor has one flat and in all cases (since the raised seventh in this scale is C♯), to avoid confusion it is best to avoid having both a sharp and a flat in the same key signature.
The key signature of a musical scale with two flats is Bb major.
The key signature for D Minor is 1 flat. Here is the difference between D major and D minor: D Major: D E F# G A B C# D D Minor: D E F G A Bflat C D However, there are 3 commonly used forms of Minor Scales. The above is called the "natural minor", or Aeolian Mode. In the harmonic minor scale, the 7th note is raised one semitone, to C#. However, this added sharp does not appear in the key signature. In the melodic minor scale, the 6th and 7th notes are raised in ascending, to B and C#, but restored to the natural minor form in descending. However, these changes do not appear in the key signature. In the D minor pentatonic scale, used frequently in Rock, only the following notes are used: D - F G A - C D This form can be notated with or without a key signature, but a key signature of one flat (Bb) lets us know that D is the tonic!
The key signature for a harmonic minor scale typically has raised seventh note compared to the natural minor scale.