isn't it 1 7 1??
A triad consists of three notes: the tonic (or the first note of the scale), the mediant (or the third note of the scale), and the dominant (or the fifth note of the scale).For a major triad, the interval between the first and third note is a major third, and the interval between the first and fifth note is a perfect fifth.For a minor triad, the interval between the first and third note is a minor third, and the interval between the first and fifth is a perfect fifth.
There is actually no such thing as a "dominant scale", however you can use the notes of a dominant 7th chord as a scale and that can begin on any note, the dominant 7th chord in C major is G7 and G7 uses all white keys (G, B, D and F), the structure of a dominant 7th chord is the major triad plus the flatted 7th.
Symmetrical triads are those that have equal distance between their notes. In music theory, a common example is the augmented triad, where the intervals between the notes are the same (major third and major third). Another example is the diminished triad, which also features equal intervals, consisting of minor thirds. These symmetrical properties create a balanced and uniform sound in their respective chords.
The D Major triad consists of the notes D F# and A. In root position, the notes would be placed in that order on the staff with D as the bottom note. This would either be in the first space below the staff or on the fourth line of the staff.
Yes, three-note chords, also known as triads, can be built on any scale degree of a given scale. Each scale degree can serve as the root of a triad, which is formed by stacking two additional notes a third apart. For example, in a major scale, you can build triads on the first, second, third, and so on, resulting in different chord qualities. This flexibility allows for the creation of various harmonic progressions and textures in music.
The notes of the A major scale are A B C# D E F# and G#. The notes in an A major triad are A C# and E.
Dominant triads, which are built on the fifth (or dominant) note of the scale, are (almost) always major - even when written in a minor key. This is because the middle note (which is the 7th note of the scale - known as the leading note) is always raised by a chromatic semitone.For example:The C major dominant triad is composed of the notes G, B, and D.The a minor dominant triad is composed of the notes E, G#, and B. Although there are no accidentals in the key signature of this scale, the 7th note is raised from G-natural to G# in order to make it a harmonic scale.That's not to say that minor dominant triads don't exist, because they do. They're just rare. You might be able to find a minor dominant triad in a situation where the dominant triad is played in conjunction with a descending melodic line (i.e. where the 6th and 7th notes of the scale aren't raised).
A c# e
It depends on what you mean exactly. If you are referring to what notes are included in the chord, it depends on the exact chord designation. I major triad consists of the first, third, and fifth notes of the major scale. A minor triad consists of the first, third, and fifth notes of the minor scale. There are many variations of each chord however. If you mean how do you play a particular instrument, it depends on the instrument.
Tonic (1st), natural 3rd and natural 5th.
The triad built on the first step of a major scale is a major triad, consisting of the root note, a major third above, and a perfect fifth above.
An F major triad consists of three notes: F, A, and C. It is formed by stacking these notes in intervals of a major third and a perfect fifth.
You'll have to rephrase your question. There are no major keys in a chord. A chord is three or more notes sounded simultaneously. A major key is the set of notes in a major scale. There are chords within keys, there are no keys within chords.
Subdominant. Its triad is major.
The dominant is the 5th, which in the key of A-flat major is E-flat. Then an E-flat major triad contains the notes E-flat, G, and B-flat.
Yes
The "one chord" ( I or Im ) is the most passive and is generally considered the most stable. It is the triad that is built on the TONIC degree of the scale, consisting of the notes "do", "mi" (or "ma" for minor) and "so".