The dominant key is the fifth note of the scale. For A major scale, this would be E.
The relative minor key for A major is F# minor.
There are no sharps or flats in the key signature of C Major.
G Major or e minor. The sharp would be F sharp.
It's C major if there are no flats or sharps in the key signature.no sharps and flatsThere are no sharps or flats in the key signature of C Major.
In most concert marches, the key goes up by a 4th at the trio, adding one flat or removing one sharp. If the march starts in D major, it will most likely change to G major.
A triumphal march would most likely be in a major key, such as C major or D major, to convey a sense of victory, grandeur, and celebration. Minor keys are less commonly used for triumphal marches as they tend to convey more somber or melancholic emotions.
The dominant key is the fifth note of the scale. For A major scale, this would be E.
A chord that is tonic is the 1 or I chord of the music that you are playing. It is the key of the music that you are playing. If the tonic is C major then you would be playing in the key of C major and dominant or 5 chord would be G major.
If the piano is in C, the tenor sax will be in D.
The key signature for D sharp minor would be the one for F sharp major: FCGDAE. You can also think of it as E flat minorwhich is related to g flat major in which the key signature would be BEADGC.
major key
That would be the keys of C Major and A minor.
The relative major key of Gb minor is Bbb (double-flat). However to make life easier, one could just say the minor key is F# minor and then the relative major would be A.
The key signature is E flat major, which is also, C minor, the relative minor of E flat major. You can find out what flat key signature you're in by finding the second to last flat (in this case E flat). It is the major version of that key signature!
First it would depend on the number of double-sharps in the key signature. Since any fewer than 7 double-sharps in the key signature would create a mode other than major or the natural minor, we would have to begin with 7 double-sharps. This would effectively raise every note in the C Major scale up one whole step giving us C double-sharp major. Note that this particular key signature would be impractical to read since C double-sharp Major is enharmonic with D Major which only has one sharp.
C major.