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Dumbo does not have any spoken dialogue.
Excepting possible background music, the film was silent. that is no spoken dialogue.
Essentially dialog is dialog, wherever it's found. In literature, spoken words are identified within quote marks. The context of the dialog is contained within the context-describing text. In film, spoken words -- by actors -- are contained within the context of the rest of the story being told visually.
No, Sweeney Todd: The Demon Barber of Fleet Street is a musical that was written by Stephen Sondheim. Tim Burton made a movie version of this musical.To my knowledge, in an opera, all of the dialogue is sung. In a musical, the dialogue is spoken, but interrupted by various musical numbers. In other words, in an opera, they sing every word. In a musical, the dialogue is spoken, but the characters periodically launch into a song-and-dance.
The Jazz Singer, but note it wasn't the first to use dialogue throughout the entire movie (most of it was silent).
In general, opera is entirely sung, while operettas and musicals include spoken dialog.
The second one. Traditionally, operas have little or no spoken dialogue at all - as opposed to musicals, which have songs to illustrate major sequences and dialogue in between. (Thus Lloyd Webber's "Phantom", insofar as the film, is NOT actually a traditional opera, nor is the stage show; it is technically a musical.)
dialogue
In drama, a loop dialogue is a conversation spoken by two people ( a dialogue), but is kept on being spoken from start to finish in a loop. Hence the name lopp dialogue
A zarzuela is a form of Spanish Opera containing spoken dialogue and a comic subject.
It was one of the first musicals to actually use song and dance to tell a story! Before Oklahoma, most musicals were stories with songs added in where convenient; they didn't really advance the plot, they were just for entertainment. In Oklahoma, Rogers and Hammerstein wrote dialogue between characters in song. Laurie's Ballet also explains that she is really in love with Curly, even though there is no spoken dialogue. Now we have musicals like Next to Normal, Cats, and Jesus Christ Superstar which are told entirely through music. Rogers and Hammerstein totally changed the way stories are communicated.
It was one of the first musicals to actually use song and dance to tell a story! Before Oklahoma, most musicals were stories with songs added in where convenient; they didn't really advance the plot, they were just for entertainment. In Oklahoma, Rogers and Hammerstein wrote dialogue between characters in song. Laurie's ballet also explains that she is really in love with Curly, even though there is no spoken dialogue. Now we have musicals like Next to Normal, Cats, and Jesus Christ Superstar which are told entirely through music. Rogers and Hammerstein totally changed the way stories are communicated.
Voice over is typically not considered dialogue, as it represents a spoken commentary or narration that is separate from the characters' spoken lines. Dialogue usually refers to the direct conversation and exchanges between characters in a scene.
To slightly alter what Western ballerina said: musical theater is a story with songs thrown in, where as an opera is a song with a story thrown in. I am a musical theater nerd at an opera nerd school (one of the reasons I am transferring lol). the type of voice used in opera is a very more trained voice. you don't have to have as much vocal training to be in musical theater.To tell you the truth I know people in MT that have gone very far with little to no training, but any opera performer has years and years of training. For the most part if you can sing opera you can sing at MT (there are always exceptions so that is not always true) but you can't necessarily be an opera singer with only a MT background. hope this helped.AddendumWhere a musical contains spoken dialogue, opera dialogue is always (almost) sung. Additionally, to add to the foregoing answer (and to risk offending some opera buffs), acting is perhaps a more important element in a musical where much of the "acting" in an opera is a function of communicating with the voice. The musical can be looked upon as a further evolution of opera, operetta etc.Opera [Opera = work]. Opera is a drama to be sung with instrumental accompaniment usually with scenery and in costume. It may include recitative or spoken dialogue, but the essence of opera is that the music is integral and is not incidental as in a 'musical' or play with music.Musical [theatre] is a form of theater combining music, songs, spoken dialogue. Usually the play [musical] is interrupted by songs or such like.So basically 'opera' is music drama and 'musical' is a play [drama] with music interludes.But like all thing to do with music there are variants.Correction to AddendumThere are several musicals that have no spoken dialogue (e.g., Les Miserables, Phantom of the Opera and Evita).
Dumbo does not have any spoken dialogue.
voice
Basically - Grand opera contains no spoken dialogue, every thing is sung; a Light Opera contains both sung and spoken dialogue