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A screenwriter starting with an outline -- always a good idea -- can employ the task of writing in more or less a free-form way to concretise the story to be told on film.

If you're writing an outline for a screenplay for others to read, you may decide to rewrite your draft outline.

If you're writing an outline as part of 'the work', you may or may not rewrite it.

You can structure your outline in a classic three-act format. A story is composed of well-developed characters, including a protagonist and at least one antagonist, who all pursue 'human journeys' in search of what each character 'wants'.

  • Act One documents the current world, its resources and options
  • Act Two documents the new world, its challenges and opportunities
  • Act three resolves the journeys

The story, then, pits characters with opposing wants against each other -- which creates drama, and portrays situations in which characters must make 'hard' choices/ decisions/ sacrifices.

Confining your outline to these developmental steps will aid a screenwriter in settling on the essential characters/ story elements that best fit a story being told on film.

An outline can be from three to twenty -- or more -- pages -- any font, any spacing, depending on the level of detail required for the screenwriter to most fully 'believe' in the characters and their situations.

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