From practical machinist on the net (www. practicalmachinist.com/vb/cincinnati-milacron...) Who writes: You crank on that feed selector and it turns some gears connected to some cams that push and pull on levers in the feed box and shifter forks on the other end move ...
Ergo - This might relate to the feeding of the horses from a long box, and the noise from the machine, AND the guys feeding the horses, and the jockeys - scuttlebutt.
Now: If you look at the lyrics - below, And you look at the scene in the muscial, it suggests that there is a odds/handicapper page [called or culled, from the Telegraph] re: the ponies. indeed, if I remember, Rusty yanks one of them off the wire hanging in front of the newspaper stand . . . (?)
'Rusty Weighs in and Intones
"But look at Epitaph, he wins it by a half
According to this here in the Telegraph
Big Threat - Big Threat This guy calls the horse Big Threat
If he calls the horse "Big Threat", Big Threat, Big Threat.
"And just a minute Boys,
I've got the feed box noise
It says the great-grandfather was Equipoise
Shows class, shows class [GREAT LINE, COMING FROM A TINHORNS - as in Fugue for Tinhorns]
This guy says the horse shows class.
Shows class, Shows class
(In contrast to, and while Nicely keeps singing re: Paul Revere - Can do can do can do and Benny re: Valentine - has chance has chance has chance)
"So make it Epitaph, he wins it by a half
According to this here in the Telegraph [name for the handicapper page, rhymes with]
Epitaph! I got the horse right here
Well so I think, but ask Stephen, he would know.
(Anyhow, the whole thing is a paean to stochastic variables (Chanciness: Exquisite sensitivity to initial conditions: as in, it all depends if his foot is all right (Paul Revere (OF COURSE, that HORSE), and if it rained last night (as Nicely looks to heaven); and what the Jockey's brother said to Benny (as he clutches his heart) and, and . . . this bring us full circle to
Signal to NOISE (feed box noise; and that is all there really is, no? Feed box noise from bi pedals - No, Now I had better stop.
One last note: I do not think Runyon would argue with that, nor do I think he would want to be bothered.
Let it ride
Cases of dissociative fugue are more common in wartime or in communities disrupted by a natural disaster
Deepwater Black - 1997 Fugue 1-9 was released on: USA: 10 November 1997
The chorus part of the song (where the lyrics go: I'm sorry...etc) is based on J.S bach's 'Prelude and Fugue in F minor '(Book 2, No 12 BWV881). It is actually the main subject of the Prelude.
It is Bach's Toccata and Fugue in D minor (BWV 565). I was JUST wondering this tonight, and found it! Here's a video of the song: http://youtube.com/watch?v=ipzR9bhei_o&feature=related -Dan
Benny Southstreet is a small-time gambler in the musical "Guys and Dolls". He is known for being in the songs "Fugue for Tinhorns" and the title song of the musical. He is a supporting character.
A fugue is a musical form. An opus is a musical composition. Therefore a fugue is not an opus, nor is an opus a fugue. A composer may compose a fugue and give it an opus number. In that case, a specific fugue is identified by a specific opus number in its composer's catalogue: 'Fugue in G minor for organ, opus 99, by Franz Schnitzelgruber.'
Stretto
Let it ride
Stretto
There are no music terms used in the Little Fugue in g minor (BWV 578).
The word "fugue" is usually used as a musical term. It refers to a piece of music which consists of two or more parts, each with a similar melody. Bach was noted for his fugue compositions.
stretto
Präludium und Fuge are musical terms and translates as prelude and fugue
Frederick Arthur Gore Ouseley has written: 'A treatise on harmony' -- subject(s): Harmony 'A treatise on counterpoint, canon and fugue' -- subject(s): Fugue, Counterpoint, Musical canon, Canon (Music), Canon (Musical form)
Joseph Humfrey Anger has written: 'Form in Music With a Special Reference to the Bach Fugue and the Beethoven Sonata' 'Form in music' -- subject(s): Accessible book, Fugue, Musical form, Sonata, Forme musicale, Fugue (Musique), Sonate
'Answer' is a term regarding Baroque music. In a fugue the subject is first stated alone. Then the repetition of the subject is known as the answer.