He makes more than one speech. But assuming you are meaning the one that goes "Now is the very witching hour of night, when churchyards yawn and Hell itself breathes contagion into this world. Now could I drink hot blood." he is thinking about killing Claudius.
The speech that Hamlet gives to the players means don't over act. The speech is given in Act 3 Scene 2 of the play.
Tell us which speech and we'll answer.
The speech reflects upon life and death. How something that was once alive (the court jester) and whom Hamlet had spent much time with is now lifeless and a rotting corpse.
We need to know what 'this point' is before we can answer.
He does not allude to Pyrrhus except when reciting a speech from a play he remembered, a play in which Aeneas is describing the fall of Troy to Dido, queen of Carthage. Aeneas talks about how Pyrrhus killed Priam, the Trojan king, and in the course of reciting the speech he mentions Pyrrhus by name four times. The Player then continues the speech and Hamlet never mentions Pyrrhus again. Act II Scene 2 of Hamlet is immensely long, about 600 lines. For Hamlet to allude to Pyrrhus in a short 14-line speech hardly constitutes alluding to him "throughout the scene". As to why Hamlet brings Pyrrhus up at all, Pyrrhus, otherwise known as Neoptolemos, was the son of Achilles who was avenging his father's death at the hands of the Trojans by killing Priam. His situation therefore has some parallels to Hamlet's.
Hamlet is considering to commit suicide or not to commit suicide (to be or not to be, respectively). Then he makes a long speech of how death is very lonesome and it is dark. His final decision is to not commit suicide and go along with his plan to take down Claudius.
The speech that Hamlet gives to the players means don't over act. The speech is given in Act 3 Scene 2 of the play.
The words "to be or not to be" or even the speech that starts with those words is so well-known and famous that people tend to forget that it exists only because it is a speech said by a character called Hamlet in a play called Hamlet. Shakespeare put those words in Hamlet's mouth for a purpose related to the flow of the dramatic action. The problem is that the speech does not seem to have much to do with the dramatic action at that point of the play, or indeed with the action of the play at all. It has no reference to any of the characters in the play, or any of the situations in the play. It does not include the pronouns "I" or "me" so it is hard to believe that Hamlet is talking about himself. For some reason, Hamlet is indulging in an impersonal philosophical discourse while going to an appointment with Claudius (Claudius does say earlier in the scene that he has sent for Hamlet). It is up to the director and actor to find a reason which satisfies them.
Tell us which speech and we'll answer.
These are the first six words of a speech Hamlet makes in Act 3 Scene 1 of the play.
Hamlet's "To be or not to be" speech is written in a serious tone. Hamlet isn't contemplating suicide, instead he is philosophically pondering the purpose of life for a human being.
Possibly. But, taken literally, Hamlet was contrasting life ('to be'), with death ('not to be'), which is clearly not a metaphoric concept!In his speech, Hamlet raises a number of moral issues which, at some time or other, and to a greater or lesser degree, are the concerns of us all.In the context of Hamlet's subsequent words, where he contrasts 'taking action' with 'not taking action', he is either adding further detail about his dilemma, and therefore the extra information becomes a clarification of his previously stated unresolved problem, (if this is so then his reference to a life and death issue was metaphoric) or he is adding a new matter to his grave concerns.For more information and opinions about Hamlet's speech, see Related links below.
you can say ''i wrote this speech because...................''
The cast of Opening Speech - 1960 includes: Norman McLaren as himself
affirmative constructive speech
The speech reflects upon life and death. How something that was once alive (the court jester) and whom Hamlet had spent much time with is now lifeless and a rotting corpse.
As the written play commands, Hamlet's speech pattern changes when other people enter the room. His words become much clearer, and he is more boisterous.