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It is, perhaps less of a theory of acting as a set of observations on the practice of the art. However at its root is the notion that the purpose of playing is "to hold, as 'twere, the mirror up to nature." Actors who do not seem natural in their acting are not doing it right, and the most grievous fault that Hamlet finds in actors is overdoing it, ("overdone" is a word he uses three times in the speech) bellowing and strutting, sawing the air with their hands and generally out-Heroding Herod. He also warns about the opposite fault, being too tame, but he is less concerned with that problem.

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