What role does the character play in his own suffering.
Dramatic irony is when the audience knows something which the character does not.For example, in Oedipus Rex, Oedipus does not know that his wife is really his mother, but the audience does.
In a Greek tragedy, the audience typically feels pity for the tragic hero, who is often a noble character facing a profound downfall due to a tragic flaw (hamartia) or fate. This evokes empathy as the hero grapples with their circumstances, creating a connection with the audience. Additionally, the suffering of secondary characters, such as family members or communities affected by the hero's actions, can also elicit feelings of pity. Overall, the emotional weight of the tragedy draws the audience into the hero's plight, fostering a sense of shared humanity and sorrow.
dramatic irony.
Dramatic Irony
Since the end of Act one ends with a cliffhanger, the audience would be anxious for Act two to begin in order to learn more.
what role does the character play in his suffering
By making it easier for the audience to follow what is happening in the play
A playwright's use of meter can help the audience by creating a rhythmic and musical quality to the dialogue, making it more engaging and memorable. It can also help to establish a specific mood or tone for the scene, aiding in the overall emotional impact of the play. Additionally, meter can assist in clarifying character dynamics and relationships through variations in speech patterns.
*Language or diction
The main channel of communication between the playwright and the audience is the script itself. The playwright conveys their ideas, characters, plot, and themes through the dialogue, stage directions, and descriptions in the script, which are interpreted and brought to life by the actors, directors, and designers during the performance.
Kiki
By making it easier for the audience to follow what is happening in the play
When the audience knows something that a character on stage doesn't know, it is called dramatic irony.
It's called an "aside". It is a line that the playwright directs the actor to deliver to the audience, which is called "breaking the fourth wall". Neil Simon's comedy "Fools" is full of asides to the audience.
This term refers to the impression that the audience receives of the speaker's character.
People speak in soliloquies so that the audience can tell what's going on in the character's head. In a book the author can just tell you, in a movie, the director can show you, but a playwright has to somehow communicate internal thought processes.
By making it easier for the audience to follow what is happening in the play