Because he or she wants it to be perfect. Michael wuz here. 😄 not!
In a single shot, probably, the director would film from below the hero's eye-line. In a shot with other actors, the hero could be elevated or be made to stand out in some other way.
Shot division depends on the director how is visualizing the scene. There is a traditional shot division i.e., Master shot (long shot), Over the shoulder(mid shot), Close ups. But one should understand the depth and emotion driver of the scene content and then decide the shot break down. For instance it is a scene where you need to give build up, you need to break down with lot of close ups, movements etc and if it is an emotional scene lot of Track shots such as slow TRACK IN, TRACK OUT, ROUND TRACK etc. For to establish a shock value in the scene you need to break down with lot of pans and zoom in, zoom out. So over all shot division depends on the director how he understands and want to convey it through the shots. If the director is not that great he just can use simple traditional division of Master shot, OTS, Close ups.
Grips fill two major functions on a film set. First is to secure, mount and 'grip' the camera, so that the director of photography can use the camera as intended for the shot. Second function is to work with the electrical team to set up lighting as dictated by the director of photography.
CANTER
Depends what would you use. Certain would is not bendable and might brake if you tried bending it. You need medium or smallish twigs or sticks to be able to bend them.
In a single shot, probably, the director would film from below the hero's eye-line. In a shot with other actors, the hero could be elevated or be made to stand out in some other way.
I would use a stick.
In art, the medium is what a work of art is made of. I am an oil painter, so my medium is oil paint. Other artists could use acrylic paint as a medium or watercolor as a medium. A sculptor could use stone as a medium. Another would use clay as a medium for making pottery. A carver could use wood as a medium.
I would definitely NOT use steel shot! the FLUES Ithaca was manufactured between 1908 and 1926. You should be OK with anything 3 dram or lower powder charge. 2 3/4" medium loads in any shot size from 9# to BB.
Director-Apex
If anyone resisted they would have been shot! If anyone resisted they would have been shot!
Shot division depends on the director how is visualizing the scene. There is a traditional shot division i.e., Master shot (long shot), Over the shoulder(mid shot), Close ups. But one should understand the depth and emotion driver of the scene content and then decide the shot break down. For instance it is a scene where you need to give build up, you need to break down with lot of close ups, movements etc and if it is an emotional scene lot of Track shots such as slow TRACK IN, TRACK OUT, ROUND TRACK etc. For to establish a shock value in the scene you need to break down with lot of pans and zoom in, zoom out. So over all shot division depends on the director how he understands and want to convey it through the shots. If the director is not that great he just can use simple traditional division of Master shot, OTS, Close ups.
medicinal uses only have been linked with this solluable substance..
I would imagine the main equipment required by a funeral director would be a hearse!
low angle= to make object appear larger than it really is and to make audience vulnerable....... high angle= to make object appear smaller than what it really is and to create the effect that they are insignificant........
You would use 4 medium egg whites or 5 small egg whites.
Low