A tone row is based on a _______ scale.
A. majorB. minorC. chromaticD.pentatonic
Tone rows are not based on scales, they are a series of tones in a particular order. The most classic tone row is a 12 tone row. In western music there are only 12 possible tones, then they repeat themselves. A 12 tone row puts all possible tones in a particular order that the composer develops. The row is then plugged into a matrix which transposes the row in several ways, reverses it and retrogrades it. The resulting matrix gives the only possibilities that notes can be ordered in that particular piece of music. It is like a mathematical/musical game. This is why 12 tone music sounds so dissonant and harsh to most listeners. Even professional musicians who are not trained and skilled in 12 tone structures can find it difficult to follow the different patterns as they progress in the piece, and frankly many don't see the point of trying to do so. The original idea was to free music from all constraints of having a tonal 'center' (having the sound of being written in a specific key) or of being bound by any of the standard rules of harmony. That's why you really can't say that tone rows are based on a 'key'; that's part of what is deliberately avoided. However, you could say informally that tone rows come from a dodecaphonic (12 sounds) or chromatic scale (all the keys on a piano played in order, from any starting point). You wouldn't refer to a scale by letter-name.
In music, a hexachord is a collection of six pitch classes including six-note segments of a scale or tone row.
The arrangement of pitches in a piece of twelve-tone music is called a "tone row" or "series." This sequence consists of all twelve pitches of the chromatic scale, used in a specific order to form the basis of the composition. The tone row can be manipulated through various techniques, such as inversion, retrograde, and transposition, to create the musical material throughout the piece.
Classical and Arabic music.tone-row______________The scale used for tone rows is called the dodecaphonic or chromatic scale. "Do deca" is two and ten, meaning that the scale is made up of all twelve tones in the standard western musics. Arabic music makes use of notes that are outside of the dodecaphonic scale. Tone rows are commonly used in the composition of what is called atonal music. Actually, it is not atonal, but dodecatonal. Atonal music is harmonically atonal, since there is no relationship to a tonic, or key in the music.
Pentatonic scale in Greek means five tone scale.
A tone row is based in a Chromatic Scale
The tone row is a predetermined sequence of all twelve notes of the chromatic scale.
augmentation
A tone row can be manipulated by transposing it to different pitch levels, inverting the intervals within the row, or retrograding the order of the pitches. By applying these techniques, composers can create variations and develop new material based on the original tone row.
Tone rows are not based on scales, they are a series of tones in a particular order. The most classic tone row is a 12 tone row. In western music there are only 12 possible tones, then they repeat themselves. A 12 tone row puts all possible tones in a particular order that the composer develops. The row is then plugged into a matrix which transposes the row in several ways, reverses it and retrogrades it. The resulting matrix gives the only possibilities that notes can be ordered in that particular piece of music. It is like a mathematical/musical game. This is why 12 tone music sounds so dissonant and harsh to most listeners. Even professional musicians who are not trained and skilled in 12 tone structures can find it difficult to follow the different patterns as they progress in the piece, and frankly many don't see the point of trying to do so. The original idea was to free music from all constraints of having a tonal 'center' (having the sound of being written in a specific key) or of being bound by any of the standard rules of harmony. That's why you really can't say that tone rows are based on a 'key'; that's part of what is deliberately avoided. However, you could say informally that tone rows come from a dodecaphonic (12 sounds) or chromatic scale (all the keys on a piano played in order, from any starting point). You wouldn't refer to a scale by letter-name.
CHROMATIC
In music, a hexachord is a collection of six pitch classes including six-note segments of a scale or tone row.
The tones within a scale are divided by either tones or semitones. In a major scale, the order always goes: tone, tone, semitone, tone, tone, tone, semitone. For a minor scale, in natural form, the order always goes: tone, semitone, tone, tone, semitone, tone, tone.
The arrangement of pitches in a piece of twelve-tone music is called a "tone row" or "series." This sequence consists of all twelve pitches of the chromatic scale, used in a specific order to form the basis of the composition. The tone row can be manipulated through various techniques, such as inversion, retrograde, and transposition, to create the musical material throughout the piece.
The arrangement of a twelve-tone series is called a "twelve-tone row" or "tone row." This concept is a fundamental aspect of twelve-tone technique, developed by composer Arnold Schoenberg, where all twelve pitches of the chromatic scale are used in a specific sequence, ensuring that no pitch is repeated until all others have been played. The row can be manipulated through various transformations, including retrograde, inversion, and retrograde inversion, to create musical compositions.
tone, tone, semitone, tone tone, tone, semitone
In a twelve-tone row, each pitch can appear only once, as the row consists of all twelve pitches of the chromatic scale arranged in a specific order without repetition. This means that no specific pitch can appear more than once within the same row. However, the row can be manipulated through various techniques such as transposition, inversion, and retrograde, allowing the same pitches to be used again in different contexts.