YES. I am a jazz singer, and my music and voice teachers always taught me to think of myself as a "musician". My voice is my "instrument". In order to sing jazz well, I had to study music theory and harmony and techniques to master just like an instrumentalist does. The interesting thing is, most instrumentalists also use their voices to some extent when studying ear training or when composing and improvising.
Gordon Lightfoot, Rooftop Singers, Terry Tufts, Georg Kajanus (Sailor)
It depends greatly upon the church. Many churches pay their organist. Some pay professional musicians that come in for special programs. Some will even pay singers to insure the proper voices are available in the choir, particularly for special presentations, such as Handel's Messiah.
The standard collective noun for 'musicians' is an orchestra of musicians, no matter how many make up the orchestra.A general word a group of nine (people or things) is a nonet, making your group a nonet of musicians.
Median hourly earnings of wage-and-salary musicians and singers were $19.73 in May 2006. The middle 50 percent earned between $10.81 and $36.55. The lowest 10 percent earned less than $7.08, and the highest 10 percent earned more than $57.37. Median hourly earnings were $23.37 in performing arts companies and $13.57 in religious organizations. Annual earnings data for musicians and singers were not available because of the wide variation in the number of hours worked by musicians and singers and the short-term nature of many jobs. It is rare for musicians and singers to have guaranteed employment that exceeds 3 to 6 months. Median annual earnings of salaried music directors and composers were $39,750 in May 2006. The middle 50 percent earned between $23,660 and $60,350. The lowest 10 percent earned less than $15,210, and the highest 10 percent earned more than $110,850. For self-employed musicians and singers, earnings typically reflect the number of jobs a freelance musician or singer played or the number of hours and weeks of contract work, in addition to a performer's professional reputation and setting. Performers who can fill large concert halls, arenas, or outdoor stadiums generally command higher pay than those who perform in local clubs. Soloists or headliners usually receive higher earnings than band members or opening acts. The most successful musicians earn performance or recording fees that far exceed the median earnings. The American Federation of Musicians negotiates minimum contracts for major orchestras during the performing season. Each orchestra works out a separate contract with its local union, but individual musicians may negotiate higher salaries. In regional orchestras, minimum salaries are often less because fewer performances are scheduled. Regional orchestra musicians often are paid for their services, without any guarantee of future employment. Community orchestras often have more limited funding of shorter duration. Although musicians employed by some symphony orchestras work under master wage agreements, which guarantee a season's work up to 52 weeks, many other musicians face relatively long periods of unemployment between jobs. Even when employed, many musicians and singers work part time in unrelated occupations. Thus, their earnings for music usually are lower than earnings in many other occupations. Moreover, because they may not work steadily for one employer, some performers cannot qualify for unemployment compensation, and few have typical benefits such as sick leave or paid vacations. For these reasons, many musicians give private lessons or take jobs unrelated to music to supplement their earnings as performers. Many musicians belong to a local of the American Federation of Musicians. Professional singers who perform live often belong to a branch of the American Guild of Musical Artists; those who record for the broadcast industries may belong to the American Federation of Televisionand Radio Artists. Source: U.S. Department of Labor
During the middle of the 20th century, the white population had a disproportionate share of the country's wealth in the US and other countries, so provided greater purchasing power. White singers had greater earnings than black singers and more affluent audiences. As rock and roll became accepted by large numbers of young fans, the popularity extended to musicians and singers of all races.
because musicians has the word music in it and singers are musicians.
A Duet
Octet.
A group of four musicians or singers are called a quartet. A group of five musicians or singers are called a quintet.
A duet
musicians (or singers) he likes (or prefers)
They are all singers or musicians.
Most musicians are on a per-service pay scale determined by the union.
Cleo Laine has written: 'You Can Sing If You Want To' 'Cleo' -- subject(s): Biography, Singers, Jazz singers, Jazz musicians
It is not leagal because musicians and singers want money for the music they produced
The plural form of musician is musicians, but you could also use collective nouns such as band or orchestra.
It is sung by NY session singers and musicians. *NOTE*: Their names are unknown.