Yes, but you will also need overhead instrument mics for the cymbals.
This acts as a shield to prevent the overwhelming sound of the drum to other people like the vocals and guitarists.
Not sure what guitar, but Butch Vig mic'd the guitar cab with 4 mics: a Shure SM57, a Sennheiser 421, an AKG C414, and a Neumann U87. Kurt would pick which sound he liked the best.
Can you mix condenser mics with directional mics using phantom power?
It depends... On stage a Shure 57 will do nicely. Some prefer clip-on mics, but I find it limits your dynamics with regard to not being able to telescope while playing. If you want range of motion with a clip on you might want to check out the CXM5. If you are asking about a recording mic, that could be argued for century's by the many sound engineers whom all have different "cocktails" of recording gear. It is a matter of taste. Personally, I have never found any mic that can match the sound quality of the natural sound of my sax. If you can play with out one, that's what I would recommend.
It depends on where you are, and what size building you are playing in. if you are in a small-medium hall, then most kits will be able to carry their sound over the rest of the music without needing amplifications at all, apart from maybe a mic underneath the hi-hat to pick up them and the snare. For large gigs, stadiums and the such, or recording, most people use: 1 capacitor mic above the ride 1 capacitor above the crash 1 capacitor above by the high hats 1 unidirectional mic by the snare, 1 by high tom, 1 by low tom, 1 by floor tom, and 1 by bass drum. This covers 8 tracks right there - and normally in recording practices you actually use 2 tracks per instrument, say track 1 cranked over to full left channel and track 2 cranked over to full right channel. This is what produces the true stereo effect.
To do it properly you will need:An acoustically adapted roomA set of drum mics, cables and standsA snake cableA mixerA computer with recording softwareA drum set2 People, a drummer and a person to do the recording. Preferably a pro
They aren't too bad. They're used mostly for a drum or amps but a good dynamic mic should work fine for vocal recording, but if you want great vocal recording, you will want to record with a condenser mic
Recording microphones are devices that register sound and turn it into a computer file. eBay and Amazon are great sites for purchasing recording mics, and they offer a wide variety of brands and styles.
No. You can use any mics in theory, but obviously dedicated drum mics are better. Check the web (How to record drums} and you'll find more advice and recommendations than you'll ever get through in a lifetime {grimtraveller}.
A plug in or input is a analogue(analog) Optical (also called ADAT) or a s/pdif that is used to plug in devices like instruments, mics or sound boards, clocks, even other recording equipment. The normal symbol is I/O (input/output).
Usually you put multi directional microphones (like dynamic instrument mics) under neath
Yes. In fact, I would recommend doing this instead of just running the mics through your band's powered mixer. That way, all your drum sounds (pre-mixed) will fit into just one input on your band's powered mixer. It takes about a minimum of 6 or 7 mics to capture a drum kit properly and that's a hell of a lot of inputs to be using on your band's P.A. Just run the mics through your own mixer, then run your mixer's "Main 1" output to your band's P.A. input. Use a balanced cable. Also, if the mixer that you are using is unpowered, then get yourself a couple powered monitors to run directly off of it so you can have some monitoring without using one of the the P.A. monitors. If your drum mixer IS powered, however, just get yourself some speakers and you've got yourself some monitors. In a nutshell, I recommend getting a small powered mixer for your drum mics (something with 100W minimum) with unpowered monitors running right off of it (use the "Main 2" output). Connect the mixer's "Main 1" output to your band's P.A. system for the final mix. But remember, if you do it like this, you have to dial in a good mix on your drum mics through your own little mixer because the sound guy will only be able to adjust the volume of the drum kit AS A WHOLE through the main P.A. system. This is what I do and it works very well.
This acts as a shield to prevent the overwhelming sound of the drum to other people like the vocals and guitarists.
Drum mics: I'd recommend samples from MIDI files(email, or drum triggers) for basic drums(kick, snare, toms), and then just get good overhead condenser mics. There's alot of those, start cheap, with..let's say CAD CM217's, which have a buy one, get one free deal for $50 on Musicians Friend
There's a lot more to recording vocals than just the mic. But assuming you have all other variables in place and of reasonable quality -- preamp, recording medium, engineer (or engineering, if you're doing it yourself) and most importantly a good singer -- you should be able to get a good recording out of it. That said, it would sound just as good (or bad) as most other condenser mics in its price range. I personally would go for the Behringer B1 or if budget permits then the B2-PRO; sure, they're kind of bright, but do really well on vocals, acoustic guitars, and as room mics.
Not sure what guitar, but Butch Vig mic'd the guitar cab with 4 mics: a Shure SM57, a Sennheiser 421, an AKG C414, and a Neumann U87. Kurt would pick which sound he liked the best.
Can you mix condenser mics with directional mics using phantom power?