He used the 13th century hym named the "Dies Irae" (day of wrath). This is a medevil latin poem sung in plainchant, characterised by its heavy accents and the part of the melody in which descending thirds are used. Many composers including Berlioz used this as a theme in their symphonies.
his love for the actress Harriet Smithson
Vivid description of the weird and diabolical
As you have worded your question in general terms, the answer is 'nothing'. In general, symphonies do not 'depict' anything - they exist as absolute music. Certain specific symphonies, or specific movements in a symphony, may be described by their composer as depicting something - but that is a different question.
Symphonie Fantastique
Program Symphony
his love for the actress Harriet Smithson
Vivid description of the weird and diabolical
The recurring theme is known as the idée fixe in French.
As you have worded your question in general terms, the answer is 'nothing'. In general, symphonies do not 'depict' anything - they exist as absolute music. Certain specific symphonies, or specific movements in a symphony, may be described by their composer as depicting something - but that is a different question.
Symphonie Fantastique
Program Symphony
Keeping Score - 2004 Berlioz Symphony Fantastique 2-1 was released on: USA: 16 October 2009
Berlioz did not subtitle his Symphony Fantastique 'Oh How You Love Thee Juliette'. This symphony was written in five movements or parts. None of these movements had this subtitle.
Ernő Dohnányi Symphony No.1., G. Sgambati Symphony No.1., Robert Schumann Symphony no.3, G. Mahler Symphony no.5, H. Berlioz: Symphonie fantastique, D. Shostakovich Symphony No.9
Hector Berlioz was a composer, not a piece; he didn't have any movements.
Berlioz called his work a Fantasy-Symphony because it deviates from traditional symphonic form, instead presenting a more imaginative and programmatic approach. The term "fantasy" reflects the work's narrative and emotional journey, inspired by Berlioz's unrequited love and personal experiences. It combines orchestral innovation with a vivid storyline, allowing for greater expressive freedom than a conventional symphony. This approach emphasizes the subjective and emotional aspects of the music, making it a pioneering piece in the Romantic repertoire.
Tubular Bells