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That depends on what kind of music you are going to be playing, and where you are going to be playing it, and also on the particulars of your level of ability and for that matter, the exact shape of your teeth. Besides rubber and plastic, there are also metal mouthpieces, and you would find fans of each kind, and a lot of players own several, including at least one of each kind. I have, for example, two mouthpieces, both from Jody Jazz, one a synthetic and one a hard rubber. The hard rubber sounds better when I'm doing concert band music, playing with other Saxophone players in a section - in fact, in many such sections, it helps if all players get the same brand and number of mouthpiece, to make the sound blend. In jazz, on the other hand, a harder mouthpiece with a wider opening is a good idea. And for some kinds of jazz, and for Rock Music, a metal mouthpiece is definitely what you'd want.

One might have a hard rubber Selmer C* and a hard rubber from a jazz mouthpiece maker, with a 7 or 8 opening, and they would sound totally different, even though they are both hard rubber.

The best way to find out what works for you is to have a teacher help you try different brands and different sizes. If you are relatively new to playing the saxophone, and you are playing in a school band's saxophone section, either plastic or hard rubber will work, and you'll want a 5 or a 6 tip. Even within that, different brands will have different shaping in the chamber and different bores, so they won't sound identical. Try lots.

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Q: Does hard rubber or plastic make the best baritone sax mouthpiece?
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Am i a baritone or tenor my range is b2 to f4?

I would guess baritone but in order to find out it is best to see a vocal instructor and they will be able to tell u


What type of instrument is a baritone?

The best brand for a baritone is selmer. the best brand is def king or bach


Does a mouthpiece affect your sound on tenor saxophone?

One is made from metal, and one is made from plastic.Actually, metal mouthpieces are commonly made from alloys of Brass (copper and zinc) or stainless steel (steel and chromium). Some are then plated with silver or gold. It is absolutely crucial that a brass mouthpiece is plated. The musician will develop "brass poisoning" (it looks like cold sores) if a brass mouthpiece is not plated. Another mouthpiece material is "hard rubber" and are commonly mistaken as "Plastic", since they are black and not made of "metal". Plastic mouthpieces are much lower in price, and break easily if accidentally dropped. Hard Rubber mouthpieces are more expensive and don't break as easily as plastic. Even though plastic mouthpieces are inexpensive some great players have used them such as Charlie Parker, who played on a white Runyon model 22, and also a white plastic Brilhart Tonalin.The advantage of the metal mouthpiece is that it doesn't easily break, and the "face" of the mouthpiece (where the reed lays) isn't easily warped - something that can happen if you clean a Hard Rubber mouthpiece with hot water (only use luke warm water). Plastic mouthpieces will change their molecular make up if they are cleaned with acetone and sometimes are even sensitive to alcohol and consequently break easily.Some people believe that "If the chamber's of any type material mouthpiece were the same, the listener would not be able to tell the difference between the 3 materials". This assumption has been proven wrong. There are some who can not only hear the difference but have won radio contests by being able to decipher the difference. This ability is not common, but has been proven to exist. Metal, Hard Rubber and Plastic mouthpieces have slight sound differences, but the biggest difference is felt by the player - who would feel the different vibrational characteristics. "There are a lot of opinions on "makes" like "Selmer" or "Keilworth"and how they play with different mouthpieces. The recognizable sound of a saxophonist comes from their vocal chords. No matter how many different mouthpieces you use - the player is still identifiable, by their "sound". There was once a radio contest where the caller in was able to identify Zoot Simms impersonating Stan Getz. Zoot did a great job sounding like Stan, but the listener that new his "voice" was still able to tell over a radio speaker that it wasn't him (all the other calls guessed "Stan Getz"). Again, this ability is rare and for most people the difference is mostly felt by the player, so the real test is to record yourself and then listen to the differences. Some "makes" simply sound too "bright" with a metal mouthpiece, because the player's vocal chords already lean toward that type of sound. It's common for the band teacher to recommend for a student to get a new mouthpiece, when the problem is that the saxophone needs repair. Most players make the mistake of not finding a good repair tech, and then try to "fix" their sound by replacing the mouthpiece. Always make sure your instrument is in good playing condition before testing and or purchasing mouthpieces.


What size mouthpiece for a French horn?

There is no right or wrong size to play on. The smaller the number the bigger the mouthpiece, the bigger the sound, though some people can get a great sound on a small mouthpiece. To find the right mouthpiece for you, you really just need to try. A LOT. See what SOUNDS best, not feels best. You'll get used to the way it feels.


What is the worlds best diabolo?

The worlds best for more than one diabolo is the 'taibolo'. There is a rubber and a plastic one. The plastic one is slightly lighter. For a single diabolo, it would probably be the 'Sundia Shining'. If it is for a beginner though, it may break easily due to the fact it has a bearing axle.

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