It's not impossible to come across one but very rare: what makes it possible World War II the spoils of war if prominent wealthy holders were jewish then that would be key. You would find the makers markers label most removed to smuggle and second pray it was maintained over the years (it must be played to maintain it's sound and kept in ideal conditions) commonly loss of label for smuggling and poor maintenance it most likly loose any potential as a $3 million dollar instrument most are really fakes selling the notion as surviving the holocust and Hitler's regime. If it was well there is a registry of jewish stolen properties so good luck!
It is impossible for even a luthier to value a violin based on a label because many of the cheapest violins tend to paste a Stradivarius or Guarnerius label in their violins in an attempt to increase the value. However, this violin is most likely not a true Stradivarius made by Antonius Stradivarius himself. In fact, you have a better chance of getting struck by lightning than finding a real Stradivarius.
No, it's entirely fictional - even down to the make of the violin (Nicolo Bussotti)! Does have a good bit of lore and a couple of real-life inspirations mixed in, though, like for example the red violin itself is inspired by Stradivarius's Red Mendelssohn (which is NOT tinted with blood!).
True!
It seriously depends o who makes the copy, some copies are absolutely wonderfully done where others are horrible. If you go back to the first part of the 20th century, international copyrights were not well enforced. There are many "Stradivarius" violins from that time which are not even copies of a true Stradivarius, just ordinary violins with that tradename.
bass
It is impossible for even a luthier to value a violin based on a label because many of the cheapest violins tend to paste a Stradivarius or Guarnerius label in their violins in an attempt to increase the value. However, this violin is most likely not a true Stradivarius made by Antonius Stradivarius himself. In fact, you have a better chance of getting struck by lightning than finding a real Stradivarius.
No, it's entirely fictional - even down to the make of the violin (Nicolo Bussotti)! Does have a good bit of lore and a couple of real-life inspirations mixed in, though, like for example the red violin itself is inspired by Stradivarius's Red Mendelssohn (which is NOT tinted with blood!).
True!
It seriously depends o who makes the copy, some copies are absolutely wonderfully done where others are horrible. If you go back to the first part of the 20th century, international copyrights were not well enforced. There are many "Stradivarius" violins from that time which are not even copies of a true Stradivarius, just ordinary violins with that tradename.
He drew the sketch of the both instrument, violin and the viola. However, he wasn' t the first one to CREATE the first TRUE violin. [ The creator of the first TRUE violin is Andrea Amati.] Andrea He drew the sketch of the both instrument, violin and the viola. However, he wasn' t the first one to CREATE the first TRUE violin. [ The creator of the first TRUE violin is Andrea Amati.] Andrea Amati was only 13 years old when he created it.. :) hope it helped~
No. He played the violin to relax and because he liked the music.
It was invented in the early 16th century.
of course
bass
yep! all you have to do is know where the right keys are piano is A LOT eaiser if you played the violin
no but when you do play the violin to fast it causes friction that causes heat hope this was helpful.
No, neither. A facsimile is already a copy. Even if the facsimile has been accepted as a "true" representation of the original, it is still nothing more than a copy of it. A copy of a copy is not acceptable as "best evidence."