I'm not sure what you mean by 'old days'. A was assigned 440Hz as a standard as recently as 1945, and at that time pitch standards included Tuning Forks, tuned bars, and instruments like the Stroboconn (produced by Conn's Experimental Laboratory in 1936.) Before that time, A was assigned the frequency 438Hz or 435Hz, and prior to that assignment A wasn't a specified frequency. (There are flutes, for example, from the 18th century with up to seven center-sections so the flutist could adjust his pitch to match the local 'standard' over a very large range!)
During the renaissance and early baroque periods, A was simultaneously maintained at two different pitches, which were about a minor third apart, depending on where the music was played, one pitch for church, another for chamber music.
Generally, we now use A=440 for renaissance music, A=415 for baroque music and A=392 for some french baroque music. Some HIP groups use even more pitch standards, either with different instruments for each pitch standard or with much retuning!
As for how frequency was determined, we have tuning forks from as far back as the 1600's, and pitch pipes from before that. Generally, a pipe cut to a given length will resonate at a given frequency regardless of its diameter or the device that makes the air in it vibrate (Flute/fipple or reed). So once a length of a pitch-standard pipe is determined, more can be made without regard to numerical cycles-per-second, and then tuned to one standard by adjustment until the beats go away. Likewise, tuning forks can be made and tuned to a standard. Like most standards in the "old days", someone decided what the standard would be, and everyone else was expected to match it.
The determination of A=435, A=438 and finally A=440 was made by increasingly-international committees in a time (the 19th and 20th centuries) when technology was up to measuring frequency with some considerable accuracy, and the advent of the electronic counter with an oven-controlled crystal clock made measuring frequency with high accuracy possible. It is worth noting that this technology is the same that is used for determining time accurately.
There are four elements of sound. These elements are pitch, timbre, duration and intensity. Timbre is the quality of sound, pitch is a tone from a number of vibrations per second, intensity is volume, and duration is length.
Change your strings every few days.
Vibrations on a flute are produced when the player blows air across the embouchure hole, creating a stream of air that splits as it passes over the hole. This causes the air inside the flute to vibrate, producing sound waves. The pitch of the sound is determined by the length of the air column, which can be altered by opening and closing the keys. The fundamental frequency and its harmonics are shaped by these vibrations, resulting in the flute's distinctive tone.
will vibrate at a set frequency to produce a musical tone when struck. The vibrations produced can be used to assess a person's ability to hear various sound frequencies.
An edge-tone instrument is a type of musical instrument that produces sound by directing air across an edge, creating vibrations. Common examples include the flute and the kazoo, where the air stream interacts with an edge, causing the surrounding air to resonate. The pitch is determined by the characteristics of the air stream and the instrument's design. Edge-tone instruments are notable for their unique timbres and expressive capabilities.
TONE
The four characteristics of sound are pitch (how high or low a sound is), frequency (the number of vibrations per second), amplitude (the loudness of a sound), and timbre (the quality or tone color of a sound).
There are four elements of sound. These elements are pitch, timbre, duration and intensity. Timbre is the quality of sound, pitch is a tone from a number of vibrations per second, intensity is volume, and duration is length.
When frequency is increased, the pitch of the tone becomes higher. This is because higher frequency vibrations are perceived as higher pitched sounds. On the other hand, when frequency is decreased, the pitch of the tone becomes lower. This is because lower frequency vibrations are perceived as lower pitched sounds.
The pads of a saxophone close tone holes on the main body, making the vibrations caused by the reed to travel farther and therefore, producing a lower note or tone.
Pitch refers to the highness or lowness of a sound, while tone refers to the quality or timbre of a sound. Pitch is determined by the frequency of vibrations, while tone is influenced by factors like harmonics and overtones.
Sympathetic vibrations occur when one object vibrates in response to the vibrations of another object. In musical instruments, sympathetic vibrations can enhance the resonance by causing other parts of the instrument to vibrate in harmony with the original sound. This amplifies the sound and creates a richer, fuller tone.
When the speed of vibrations decreases, the pitch of the sound produced by the object lowers. This is because the frequency of the vibrations decreases as well. As a result, the sound becomes deeper or lower in tone.
Two things happen when you increase the vibrations of sound: 1. If the 'increase' is in strength, that is, bigger and deep vibrations, then the sound is louder. 2. If you increase the number of vibrations per second, then the pitch of the sound goes up .
The change of the tone is according to the position of the word in the phrase and other words' tones. There are two common kinds of change:the first one is from the third tone+the third tone to the second tone+the third tone, such as the phrase舞蹈. And the second one is from the third tone+other tones to the semi- third tone+other tones, such as小心,假装 and so on.
The first overtone is the fundamental times two. The second overtone is the fundamental times three. In physics the first harmonic is the fundamental. In physics is the second harmonic the first overtone. In physics is the third harmonic the second overtone. In physics is the fourth harmonic the third overtone. Even-numbered harmonics are odd-numbered overtones. Odd-numbered harmonics are even-numbered overtones.
the frequency of a sound can change depending on how fast the source is vibrating