How do you memorize relative minors?
Learn the major scales (key signatures, sharps, and flats). Get accustomed to thinking of scale degrees simultaneously by note and number. To convert to relative minor, I find it easier to count backwards 8-7-6 (C-B-A) from the octave root (8th degree), and then add sharps or flats as I know them to be in the relative major. I play guitar so it's easy to recover from mistakes by using it as a chromatic approach or a slow bend.
The relative key is the one with the same key signature. For C major, it's A minor.
The keys of C major and A minor have no sharps or flats.
The key signature is E flat major, which is also, C minor, the relative minor of E flat major. You can find out what flat key signature you're in by finding the second to last flat (in this case E flat). It is the major version of that key signature!
try to 'hear' the scale. is it minor or major? and what key is it in? then jump in and play a couple of notes in the scale as exploration and you'll learn what notes you can and cant use pretty fast. best way is to learn by your mistakes!Guitar Scale when ImprovisingHere are opinions and answers from FAQ Farmers: I think that you might want to ask the other guitarist what he or she is playing or if you know all the notes on the fretboard, you can also look at their riff and see what notes are in it. If there are no sharps or flats, the key is C, and so on.In my opinion the above answer is absolutely correct. At my age, I need to keep things simple. I would ask what Key the other player is in if I didn't recognize the chord progression. Then you as a player would have to decide would a blues scale, penotonic etc., fit the mood of the song.http://www.guitartricks.com has some video lessons on how to improvise and match up to the key and all that good.Since a lot of chord progressions use a I, IV, V pattern, or some variation(ie. I, VI, IV, V), you can find the major scale easily by looking for those 3 chords and you will now know the rootchord . The root is the major key you want to play in. For example, take the chords Em, C9, G, D/F#. G is the root, C is the 4th, D is the 5th, and Em is the 6th. With this progression you can use the G major scale. In G, the notes are G(root/tonic) A(2nd/supertonic) B(3rd/mediant) C(4th/subdominant) D(5th/dominant) E(6th/submediant) F#(7th/leading tone) G(root). Of course there are still many progressions that do not have the I, IV, V, such as many western songs which use IIm, V, I, so you will need to be aware of that.If you know what key you are playing in, and you know your scales then you can apply the following: For a major key you choose the major scale to fit the key. (Key C Major, scale C Major, or C Major pentatonic.) For a minor key you choose the minor scale to fit the key. (Key C minor, scale C minor, or C minor pentatonic.) If you are playing the blues (which includes many country and Rock music) you are likely to choose the blues scale which is an altered form of the minor pentatonic. (Key C (major or minor), scale C blues, or C minor pentatonic.) While it is not popular to do so these days, it is possible to use the major pentatonic for a happier sounding blues. If you are a jazz enthusiast, you need to learn and study the Modes, which aid in discovering what scale material is well matched at any given moment of a jazz piece.A "guitar riff" is a short section that a guitar musician has produced.LETS SIMPLIFY THIS: Everyone has great answers, but the easiest thing to do is play the pentatonic scale in the relative minor. For example, if the song is in the key of G you play the pentatonic scale in Em. To find the relative minor just go down three frets from the root and that is the relative minor. Try it and you will find this works every time for almost any kind of music. EZ as pie!
Here is the way I see it: I) How many sharps/flats do I have? You should always find the major key first II) What mode am I playing in? In other words, what note of the major scale does the song resolve to? Typically speaking, you have either a major key or a minor key but there may be times where the song doesn't resolve to the I (major key) or the vi (minor key) chord/note. This is called a mode. If I'm not in Bb Ionian (major), I'm in C Dorian, D Phrygian, Eb Lydian, F mixolydian, G aeolian (minor), or A Locrian. All of these key signatures have Bb and Eb. However each mode resolves to a different note of the scale
To determine the relative minor of a major key, you can find the sixth note of the major scale. This note is the starting point for the relative minor scale.
"That would be A minor. Go a minor third below the tonic of the major scale to find the relative minor." Technically, there is no relative harmonic major to the key of C Major. The relative minor scale of C Major would the natural minor scale of A. A harmonic minor scale raises the 7th note of the scale a half step, giving us G#, which is not in the key of C Major.
To determine the relative minor of a major key in music theory, you can find the sixth note of the major scale. This note is the starting point for the relative minor scale.
To find a minor scale, start with the natural major scale and lower the 3rd, 6th, and 7th notes by a half step. This will give you the relative minor scale.
To find the relative major of a minor key, you can go up three half steps from the minor key. For example, the relative major of A minor is C major.
To find the relative minor of a major key, you can count down three half steps from the major key's root note. This will give you the relative minor key.
To find the minor scale from a major scale, you can start on the sixth note of the major scale. This note becomes the first note of the minor scale. Then, follow the same pattern of whole and half steps as the major scale, but starting from the new first note. This will give you the natural minor scale.
The relative key is the one with the same key signature. For C major, it's A minor.
To find minor scales, you can start by identifying the key signature of the major scale and then lowering the third, sixth, and seventh notes by a half step. This will give you the relative minor scale. You can also use the natural minor scale formula (whole step, half step pattern) to construct minor scales starting from any note.
The keys of C major and A minor have no sharps or flats.
To find the minor scale, start with the major scale of the same key and lower the 3rd, 6th, and 7th notes by a half step. This will give you the natural minor scale.
To determine the relative minor of a major key, you can count down three half steps from the major key's root note. For example, the relative minor of C major is A minor. To find the relative major of a minor key, you can count up three half steps from the minor key's root note.