Be careful because you don't want to break it but take some cork grease and coat the cork showing with lots of cork grease. Then carefully and slowly push the mouthpiece even further onto the cork and neck piece but NOT TOO MUCH!! If you have put enough cork grease on then you should be able to spin the mouthpiece around a few times and pull the mouthpiece off the cork and neck piece with maybe a little bit of trouble but it should work. I do this all the time and once you get the mouthpiece off, cover the cork with cork grease and if possible replace the cork with a new one and make sure to put cork grease on it regularly to prevent this from happening again.
Farm out alto sax notes
it allows the alto sax to make a different sound.
I think that the sax is cooler. It's partially because I play the alto sax, but I think the sax is easier too.
The alto sax is generally not known as "an E flat sax", as a baritone saxophone is also in E flat.
Get a alto sax music book and read the instructions
Farm out alto sax notes
it allows the alto sax to make a different sound.
Adolphe Sax
I think that the sax is cooler. It's partially because I play the alto sax, but I think the sax is easier too.
The alto sax is generally not known as "an E flat sax", as a baritone saxophone is also in E flat.
Get a alto sax music book and read the instructions
Great escape is a good song to play for alto sax
Adolphe Sax
Learn Alto Sax and find out what the notes are.
Yes and no, a symphony does have an alto sax sometimes but it is not required for it to have one. It really depends if the symphony is classical, blues, or jazz. Jazz and blues should always have an alto sax. Classical doesn't really need an alto sax, but it does make classical sound better.
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The KEY of the alto sax and baritone sax is in Eb. The Tenor is in Bb