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Preparing Your Master for Vinyl Production Let's start with the basic truth: The volume of your record is directly linked to the total time of each side. This means if you intend to have it played in clubs by DJs, the most time per side should be around 12-13 minutes for 12" records. When the side length is less than 9 minutes, the loudness will be at the maximum for 33 1/3 rpm cuts. However for EVERY MINUTE over 13 minutes per side, you lose about 1 db in volume on the side in most cases. Now let's talk about so-called "S" distortion (sibilance). When the master has too much high frequency on vocal "S", "T", and "F" sounds, it will end up OVERLOADING the playback styli, causing noticeable distortion. This also happens when hi-hats, cymbals, and any high frequency sounds that are in your mixes are too hot. This can also mean the louder your record is cut, the worse the problem will be. So have all the fun you want for compact disc mixing. But for vinyl mixes, I suggest BEFORE you add compression or any digital processing, leave the mix for vinyl production as untouched as possible. Edit: The above answerer has totally ignored what I suspect your question was about - the longest 331/3rpm 12-inch LP vinyl record. I don't know for sure but towards the end of the LP era there were instances of in excess of 35 minutes on each side. The level and quality of the transfer suffered slightly, particularly towards the centre (end) of each side.

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17y ago

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