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-a cappella -relatively constant dynamics -most likely imitative polyphony with contrasting parts of homophony -consonant chords with mild dissonances at times -most likely conjunct melody
Some similarities between medieval and Renaissance music would be the type of notation used (the type developed by the end of the medieval period was used in the Renaissance, too.) also the cantus firmus(using a given melody to compose a polyphonic work)was still used but maybe more freely. The forms, fixes such as the rondeaux, viralaie and ballades were still used up to a certain point in the Renaissance. its mostly the change from focussing on the technical side of music in the medieval period to making music for expression and meaning in the renaissance.
imitative counterpoint
cantus firmus
Both!
polyphony
Renaissance music started to use more polyphony than monophonic. It also started to have music in the background, compared to a Capella. The music was used to entertainment and not just for religious purposes.
To mimick the sound of angels singing
False.
it changed to homophonic texture
Polyphony
The Classical period took the polyphony, some structures and the new tonal system from the Renaissance/Baroque period and made it a clearer and mostly homophonic music which is still what is prevalent currently... The Classical period took the polyphony, some structures and the new tonal system from the Renaissance/Baroque period and made it a clearer and mostly homophonic music which is still what is prevalent currently...
A. Tillman Merritt has written: 'Sixteenth-century polyphony' -- subject(s): Counterpoint, History, Music, Music theory, Theory 'Sixteenth-century polyphony' -- subject(s): Counterpoint, Polyphony
'Polyphonics' has to do with the sound of music.
A relatively short composition in Latin, made up of short sections in homophony and imitative polyphony
polyphony
polyphony