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She`s a very soulful dramatic (coloratura) soprano, because she`s got a very big and heavy voice, but she is also very high and agile. Other dramatic sopranos are Jill Scott or June Anderson
A light coloratura soprano has a girlish timbre and is also called a coloratura soubrette like Patricia Petibon or also Mini Riperton.
There are also lyric coloratura sopranos like Lisa Miskovsky or Natalie Dessay.

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Q: Is Patti Labelle a light coloratura soprano?
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What is the difference between coloratura and dramatic soprano?

Coloraturas have a range of approximately - or around - middle C to a "high F". They specialize in music that is distinguished by agile runs and leaps. The term coloratura refers to the elaborate ornamentation of the melody, which is a typical component of the music written for this voice. A lyric coloratura soprano is a type of soprano with a very light, agile voice and has high upper extension, capable of fast coloratura. Dramatic coloratura sopranos have a more sustained, stronger sound.


What is Kristin Chenoweth's vocal range?

She's a classically trained lyric coloratura soprano (a light voice with great agility, usually requiring an incredible very high range above soprano C, which she does have, up to the F above), although she has a 4 octave vocal range. However, her voice is well-trained enough to sing a variety of ranges and change her tone to a variety of voice types. She can sing Broadway soprano (Glinda's part in No One Mourns the Wicked) mezzo belting (My New Philosophy from her Tony Award winning role in You're a Good Man Charlie Brown) Operatic Coloratura Soprano (Glitter and be Gay from Candide, I've heard she's sung Les Oiseaux Dans La Charmille from Tales of Hoffman at concerts, and there's even a clip on youtube of her singing a section of Der Holle Rache, the Queen of the Night's aria, from her failed sitcom) Alto (Maybe This Time from Cabaret that she sang on Glee, also all of the songs in her current Broadway role in Promises, Promises)


Is kesha mezzo soprano or alto?

She is an underdeveloped soprano. Her voice is light like a soprano, but is not developed like a true soprano. Very few women are true contraltos, a good example is Pink. A mezzo-soprano has a "darker" vocal quality, but not the depth of a contralto. Lady Gaga and Gwen Stefani are mezzo-sopranos. Vocal type is based on timbre or tone quality, not range. Many sopranos, such as Mariah Carey, have the ability to sing extreme low notes. ---- Because of the excessive use of autotune, you will never know. Allow me to fix some of this yes P!nk is an alto but so is Mariah.


How do you decide if you're a soprano mezzo soprano or alto without using music notes?

For some people, it is clear that their voice is better higher or lower. For others, a choir director may place them in the section where he needs them at the time. This can be particularly confusing for those who have a wide vocal range or who have a bigger voice that needs training. It should be easy to tell if one has a light soprano voice. The ability to hit low notes is not a guarantee that one is an alto (or contralto). A dramatic soprano would also have low notes, but would need training to develop the high notes. A mezzo would be able to vocalize in a similar range to a dramatic soprano, so it is not a simple question of what notes can be reached. A soprano would only spend a little time singing at the lower part of her range. A mezzo would only spend a little time singing at the higher part of her range - like one good high note at the end. A contralto would spend a lot of time singing at the lower part of her range. Voices can also be judged by whether they are brighter or darker. There would be a tendency for a higher voice to be brighter and for a lower voice to be darker, but there are variations within the mezzo category and within the soprano category. Italian dramatic soprano roles tend to be for darker voices than German dramatic soprano roles, even if the range is similar. Rossini mezzo-soprano roles would be brighter than Verdi. There are also "soubrette" roles in Mozart, which might be comfortable for either a light mezzo or a light soprano. The mezzo would probably sound a little more mature than a soubrette, whose voice and looks and personality all emphasize a youthful quality.


What are the words to the song One Candle One Flame?

One Candle One Flame (Unison) Light one candle, Light one candle, Light one candle, Light one flame. Light one candle, Light one candle, Light one candle, Light one candle on a long winters night. In a world full of darkness in a world full of pain all it takes is a sparkle all it takes is a flame to make joy out of sadness to bring hope to a life like the promise of the dawn on a long winters night. (2-Part) (Soprano) Light one candle, Light one candle, Light one candle, Light one flame. Light one candle, Light one candle, Light one candle, Light one candle on a long winters night. (Alto) If you light up the shadows then you won't be afraid if you offer your kindness you'll get back what you gave. it takes one little candle to turn darkness to light like the promise of the dawn on a long winters night. (Soprano) Light...... One candle light..... one flame...... Light...... one candle Light one candle on a long winters night (Alto) Light one candle, Light one candle, Light one candle, Light one flame. Light one candle, Light one candle, Light one candle, Light one candle on a long winters night. (Soprano) Oooh...........oooh......oooh.....oooh.............................. (Alto) Oooh...........oooh......oooh.....oooh.............................. (Soprano) Light one candle, Light one candle, Light one candle, Light one flame. Light one candle, Light one candle, Light one candle, Light one candle on a long winters night. A long winters night a long....... winters night........... (Alto) Make the sun rise tomorrow with your faith in today you can soften a sparrow if you just light the way. All it takes is a candle to turn darkness to light. Like the promise of the dawn on a long winters. A long winters night a long....... winters night............

Related questions

What is the kind of voice angeline quinto has?

She is a Lyric-Coloratura Soprano.


What is the difference between coloratura and dramatic soprano?

Coloraturas have a range of approximately - or around - middle C to a "high F". They specialize in music that is distinguished by agile runs and leaps. The term coloratura refers to the elaborate ornamentation of the melody, which is a typical component of the music written for this voice. A lyric coloratura soprano is a type of soprano with a very light, agile voice and has high upper extension, capable of fast coloratura. Dramatic coloratura sopranos have a more sustained, stronger sound.


What type of vocal voice is angeline quinto has?

She is a light lyric soprano. :)


What kinds of sopranos are there?

Lyric Coloratura Soprano - A light voice. Capable of doing fast vocal runs, large intervals, and high notes with ease. For sopranos, coloraturas need a very high range and tessitura. Examples of songs: Glitter and be Gay from Candide, The Doll Song from Tales of Hoffman, The Bell Song from Lakme, Grossmachtige Prinzessin from Ariadne auf Naxos. Examples of Singers: Kristin Chenoweth (she doesn't do much opera though), Diana Damrau (some argue dramatic, more of a full lyric), Kathleen Battle and Natalie Dessay. This type of soprano is almost exclusively found in opera, with the possible exception of musical theatre productions of the operetta Candide. Dramatic Coloratura Soprano - It is the same as the Lyric Coloratura Soprano by definition except it is a heavier sound. This makes it difficult to have this voice because usually the thicker vocal cords make doing the vocal acrobatics difficult. Examples of songs: Der Holle Rache (The Queen of the Night's aria) from The Magic Flute. Examples of singers: Joan Sutherland. Lyric Soprano - A light, high voice. The range usually only needs to top out at a D6. The tessitura lies lower than coloratura sopranos and they are not required do have the same agility. This voice type is found within Musical Theatre as well as Opera. Examples of songs: O mio babbino caro from Gianni Schicci, Elle a fui from Les Contes D'hoffmann, Quando m'en vo from La boheme. Examples of singers: Renee Fleming and Anna Netrebko (some argue spinto, she is more dark lyric) Dramatic Soprano - A heavy, high voice. Same range as the lyric soprano, but a heavier sound. Examples: If not performed by a mezzo-soprano, Giulietta from Tales of Hoffman (unless a coloratura soprano is attempting all three roles). Also used very often in Wagner operas. Examples of songs: Ariadne's aria from Ariadne auf Naxos. Examples of Singers: Jessye Norman, Deborah Voigt. Wagnerian Soprano - An even heavier subgroup of dramatic soprano. Incredibly rare. Spinto Soprano - Like the lyric soprano, but can be pushed to dramatic heights. Sometimes have a slightly darker tone. Many times a singer is a Spinto early in her career but transitions to become a Dramatic. Examples of songs: Senza Mamma from Suor Angelica, any of Madame Butterfly's arias from Madame Butterfly. Soubrette - A warm, light voice. It is often for chambermaids in operas. Singers very rarely remain soubrette's throughout their careers. Usually, they will transition into coloratura mezzos (they do exist, like Rossina in Barber of Seville) lyric sopranos, or lyric coloraturas. Examples of songs: Mein Herr Marquis (also in the lyric coloratura repertoire) and Adele's Audition Aria from Die Fledermaus, any of Susanna's arias from The Marriage of Figaro, and Zerlina's arias.


What kind of voice does angeline quinto have is it soprano or what?

Light lyric soprano


What is Kristin Chenoweth's vocal range?

She's a classically trained lyric coloratura soprano (a light voice with great agility, usually requiring an incredible very high range above soprano C, which she does have, up to the F above), although she has a 4 octave vocal range. However, her voice is well-trained enough to sing a variety of ranges and change her tone to a variety of voice types. She can sing Broadway soprano (Glinda's part in No One Mourns the Wicked) mezzo belting (My New Philosophy from her Tony Award winning role in You're a Good Man Charlie Brown) Operatic Coloratura Soprano (Glitter and be Gay from Candide, I've heard she's sung Les Oiseaux Dans La Charmille from Tales of Hoffman at concerts, and there's even a clip on youtube of her singing a section of Der Holle Rache, the Queen of the Night's aria, from her failed sitcom) Alto (Maybe This Time from Cabaret that she sang on Glee, also all of the songs in her current Broadway role in Promises, Promises)


Who is kathleen battle?

Kathleen Battle is 65 years old and a operatic light lyric soprano. She is from America and known for having pure tone.


Did Michelle Phillips sing in mama and papas?

Yes, of course she did - she provide the light soprano voice which balanced out Cass Elliot's bigger contralto.


What actors and actresses appeared in The Beginning of Light - 2001?

The cast of The Beginning of Light - 2001 includes: Carmine Canuso as Man Ric Cartmale Karen Elizabeth Foster as Soprano Steffi Sattler


Is kesha mezzo soprano or alto?

She is an underdeveloped soprano. Her voice is light like a soprano, but is not developed like a true soprano. Very few women are true contraltos, a good example is Pink. A mezzo-soprano has a "darker" vocal quality, but not the depth of a contralto. Lady Gaga and Gwen Stefani are mezzo-sopranos. Vocal type is based on timbre or tone quality, not range. Many sopranos, such as Mariah Carey, have the ability to sing extreme low notes. ---- Because of the excessive use of autotune, you will never know. Allow me to fix some of this yes P!nk is an alto but so is Mariah.


How do you decide if you're a soprano mezzo soprano or alto without using music notes?

For some people, it is clear that their voice is better higher or lower. For others, a choir director may place them in the section where he needs them at the time. This can be particularly confusing for those who have a wide vocal range or who have a bigger voice that needs training. It should be easy to tell if one has a light soprano voice. The ability to hit low notes is not a guarantee that one is an alto (or contralto). A dramatic soprano would also have low notes, but would need training to develop the high notes. A mezzo would be able to vocalize in a similar range to a dramatic soprano, so it is not a simple question of what notes can be reached. A soprano would only spend a little time singing at the lower part of her range. A mezzo would only spend a little time singing at the higher part of her range - like one good high note at the end. A contralto would spend a lot of time singing at the lower part of her range. Voices can also be judged by whether they are brighter or darker. There would be a tendency for a higher voice to be brighter and for a lower voice to be darker, but there are variations within the mezzo category and within the soprano category. Italian dramatic soprano roles tend to be for darker voices than German dramatic soprano roles, even if the range is similar. Rossini mezzo-soprano roles would be brighter than Verdi. There are also "soubrette" roles in Mozart, which might be comfortable for either a light mezzo or a light soprano. The mezzo would probably sound a little more mature than a soubrette, whose voice and looks and personality all emphasize a youthful quality.


What has the author Patti O'Shea written?

Patti O'Shea has written: 'In the midnight hour' -- subject(s): Magic, Fiction 'The power of two' -- subject(s): Fiction, Life on other planets, Space travelers 'Shards of Crimson (Crimson City)' 'In the Midnight Hour (Light Warriors, Book 1)'