It depends on what state you sell it in, what its condition is, how well it plays, and what year it was made. Most people may be willing to pay extra if the fourth pedal plays a unique sound.
A piano peal stool, or pedal extender, is a platform that essentially raises up the pedals so that those who can't reach them can now do so. It is basically a platform with usually 2 pedals on it that gets placed over the real piaono pedals. When the piano player steps on the pedals that are on the platform, the real piano pedals are engaged by the platform pedals. To see how they work, visit the related link below.
Pedals for the piano began life as pedals for the harpsichord. Very few harpsichords were outfitted with pedals because the purpose of the pedals was to change registration quickly and easily on the harpsichord, without having to lift the hands from the keys to do the same thing. Mostly, it was the English who dabbled in applying pedals to the harpsichord. As a result, they were also the first to add pedals to pianos. Before that, the earliest pianos made had no pedals at all because they were considered to be harpsichords with loud and soft (in Italian, "Gravicembalo col Forte e Piano") When the addition of stops on the forte-pianos were created to change the sound, it involved manually shifting the keyboard or pulling or pushing a handstop to effect the change. Later, the Austrian and German fortepiano makers invented the knee lever to raise and lower the dampers. The English pianoforte makers were applying pedals to do the same thing about the same time. By 1815, pedals were standard equipment on almost every piano. In Vienna from 1828- 1845, piano makers would customarily have as many as 5 - 7 pedals on a piano. These pedals activated bells, drums, snare effects and muffled effects, as well as the usual damper lifting and keyboard moving actions. In England, piano makers limited themselves for the most part to only 2 or 3 pedals. These differences were largely dictated by the peculiar nature of the action designs for the pianos from these different areas of Europe.
Many big church organs have several keyboards and a whole set of pedals. Some complex harpsichords are also that way. The piano has a few pedals for some effects.
the piano or a pedal harp or concert harp
The piano is an instrument that has keys, pedals and strings. The keys are strings vibrate when they are struck by hammers being triggered when the keys are pressed. The pedals are used to manipulate the sound in various ways.
Because The pedals are used to change the sound of the instrument in different ways.
A piano typically has three pedals in total.
The pedals on a piano change the sound and sustain of the notes being played.
Pedals on a piano are used to change the sound and sustain of the notes being played.
The pedals on a piano are used to change the sound and dynamics of the music being played.
The pedals on the piano are used to change the sound and tone of the notes being played.
A piano peal stool, or pedal extender, is a platform that essentially raises up the pedals so that those who can't reach them can now do so. It is basically a platform with usually 2 pedals on it that gets placed over the real piaono pedals. When the piano player steps on the pedals that are on the platform, the real piano pedals are engaged by the platform pedals. To see how they work, visit the related link below.
A digital piano with 3 pedals offers more versatility and control over the sound produced. The additional pedals allow for a wider range of expression and dynamics while playing, similar to a traditional acoustic piano.
There are three main types of electric piano pedals: sustain pedals, sostenuto pedals, and soft pedals. Sustain pedals allow notes to continue sounding after the keys are released, sostenuto pedals sustain only the notes that are being held down when the pedal is pressed, and soft pedals soften the sound of the notes played. These pedals enhance the performance of an electric piano by providing greater control over the sustain and dynamics of the notes, allowing for more expressive and nuanced playing.
The three pedals on a piano control the way the strings vibrate, affecting the sound produced. The pedals are the sustain pedal, which sustains the sound, the soft pedal, which softens the sound, and the sostenuto pedal, which sustains specific notes.
Piano pedals control the sustain, softness, and volume of the sound produced by the piano. The sustain pedal allows the notes to ring out longer, the soft pedal reduces the volume and changes the tone, and the sostenuto pedal sustains specific notes while others are played. These pedals enhance the expressiveness and dynamics of the piano, allowing for a more nuanced and varied performance.
Pedals for the piano began life as pedals for the harpsichord. Very few harpsichords were outfitted with pedals because the purpose of the pedals was to change registration quickly and easily on the harpsichord, without having to lift the hands from the keys to do the same thing. Mostly, it was the English who dabbled in applying pedals to the harpsichord. As a result, they were also the first to add pedals to pianos. Before that, the earliest pianos made had no pedals at all because they were considered to be harpsichords with loud and soft (in Italian, "Gravicembalo col Forte e Piano") When the addition of stops on the forte-pianos were created to change the sound, it involved manually shifting the keyboard or pulling or pushing a handstop to effect the change. Later, the Austrian and German fortepiano makers invented the knee lever to raise and lower the dampers. The English pianoforte makers were applying pedals to do the same thing about the same time. By 1815, pedals were standard equipment on almost every piano. In Vienna from 1828- 1845, piano makers would customarily have as many as 5 - 7 pedals on a piano. These pedals activated bells, drums, snare effects and muffled effects, as well as the usual damper lifting and keyboard moving actions. In England, piano makers limited themselves for the most part to only 2 or 3 pedals. These differences were largely dictated by the peculiar nature of the action designs for the pianos from these different areas of Europe.