It can be in either, depending on the chart.
What ever key the chords are in, you use that scale. So if you have a B-flat minor triad, use the b-flat minor scale, etc.
A music mode is produced by the intervals and the relation to the tonic (starting note.) If a mode is minor which is defined by a minor third in relation to the tonic, i.e a C note in the key of A then it will have a sad effect. If it is a major mode which is defined by a major third i.e C+ then it will have an uplifting effect. With some modes the effect is more intense than others. If you use the locrian mode for example it can be very depressing. The Dorian mode however which is a minor mode has more of a jazz minor sound, if you wish to hear an example of this mode listen to "Black magic woman" by Santana. Other examples are the Lydian mode which has a dreamy major effect. The two most common modes however are the Natural Minor scale which is basically the C major scale (Ionian mode) starting from the sixth note and the latter scale which is usually, as I mentioned as the "Major" scale.
It's nothing more than a music scale such as a Major, Minor, and Dominate scale. These are seven note scales that any instrument can play. As for a guitar scale, it's a diagram that outlines the fretboard (neck) of a guitar and shows all the notes to be played for a given scale at certain positions along the guitar neck. It shows the fingering (sometimes with numbers) to help you place the correct fingering as you play each note of the scale. Not all scales are seven notes such as jazz, blues, and pentatonic scales which can have more or less notes. Hope this helped better understand! The simplest way to understand a guitar scale, it is a eight step movement using single notes it can be played anywhere on the guitar.
Jazz improvisation is playing relevant scales that fit in the written chord sequences or just playing a tune created on the spot by ear. It is combination of intuition and tone sensitive ears. Some techniques for jazz improvisation include playing modes of a major or minor scale, pentatonic scales, and blues scales.
Blues music is often considered a slower, more sad form of jazz. It shares many musical features with those of the jazz genre; such as swung rhythms and the use of "blue notes" (also sometimes called "worried notes") which are notes that are bent between the major and minor degrees of the scale (usually the 3rd, 5th or 7th)
A minor key in music is a scale that is based on the minor scale, which has a specific pattern of intervals and often gives a song a darker or melancholic feel compared to a major key. Minor keys are commonly used in various genres such as classical, jazz, and pop music to convey different emotional qualities.
The type of music characterized by a dramatic use of the major and minor scale systems, creating a pleasing and harmonic sound, is known as Western classical music. This genre often employs complex harmonies and structured forms, utilizing both major and minor scales to evoke emotions and create tension and resolution. Additionally, genres like pop and jazz also incorporate these scales to achieve a harmonious sound.
The melodic minor scale is often used in melodies and improvisation to create a smooth and flowing sound, while the harmonic minor scale is used to add tension and a more exotic feel to music. The melodic minor scale is commonly used in jazz and classical music, while the harmonic minor scale is often found in flamenco and other styles with a strong emphasis on harmony.
In music theory, "Dorian" refers to a specific type of scale that is similar to a natural minor scale but with a raised sixth degree. It is often used in jazz, rock, and folk music to create a unique sound.
The melodic major scale is a musical scale that has a unique pattern of whole and half steps. It is often used in melodies to create a bright and uplifting sound. In music theory, the melodic major scale is characterized by its specific sequence of intervals. It is commonly used in classical and jazz music to create melodies that are both memorable and expressive.
When it is indicated in the music. There is no special time and no speciall occasion. However, the minor tonality is sometimes associated with 'spooky' 'sad' songs and certain cultures use it more than the major tonality. There are 3 forms of the minor scale: Natural, Melodic and Harmonic. If you are playing classical music, then the harmonic minor scale is actually rarely used. In classical music, the melodic minor scale is favored. If you are playing jazz or any other type of music, a good time to use it is on top of a V7/Vi chord (using the third in the chord as the leading tone, a vi chord using the tonic of the chord as the starting point of the scale or any dominant chord in a minor mode. There are tons of places to use the harmonic minor scale. Just experiment with it as much as possible. You'll find for yourself stuff that works and stuff that doesn't. Both will be very obvious. Hope that helps! 1234567#8
Some common minor 9th chord progressions used in jazz music include ii-V-I, minor ii-V-i, and minor ii-V-i-IV.
Some common minor 7th chord progressions used in jazz music include ii-V-I, ii-V-i, and minor ii-V-i.
Some common minor seventh chord progressions used in jazz music include ii-V-I, ii-V-i, and minor ii-V-i.
The fifth mode of the harmonic minor scale, known as the Phrygian Dominant scale, is significant in music theory and composition because it has a unique and exotic sound that can add tension and color to musical compositions. It is commonly used in various genres such as jazz, flamenco, and metal to create a sense of drama and intensity.
The minor scale guitar pattern is a sequence of notes that create a melancholic or darker sound. It can be applied in playing music by using it to create emotional and expressive melodies, solos, and chord progressions in various genres like rock, blues, and jazz. Learning this pattern can help guitarists add depth and complexity to their music.
Some common minor 9 chord progressions used in jazz music include the ii-V-I progression, the minor ii-V-i progression, and the minor ii-V-i-IV progression.